Unfinished value study for a painting, worked in graphite on hot pressed watercolor paper. Drafted and rendered using the Bargue method. Hopefully, I got the photo oriented correctly so that the drawing will be right side up, once I upload it! If anyone has advice for photographing a heavy application of graphite, without getting weird reflectiveness, or speckled effects, I’m very interested!
Architectural subjects are not my penchant....but this is a pen line drawing of our house which I did a few weeks ago near the beginning of the "stay at home" phase of our lives. Seemed a fitting subject. Just a couple of micron pens on a smooth surfaced paper.
Brush with black ink and white acrylic paint on 9” X 12” acid free Strathmore Bristol smooth surface paper. The Image dimensions are about 5 1/2” X 8 ½. Signed and dated.
(The black ink was used for the character as well as for the background. The acrylic painting was used only for the small shapes in the background)
Drawn in Prismacolor Stick on heavy cream drawing paper. I wanted to capture the burning intensity of her patience as she waited for a sign from me that we were going to leave for our walk.
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
