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past

Joer_B Joer_B
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Ecstasy

The sketchbook doodle that turned into something special. To this day, it’s still one of my favourite drawings. Pencil, Charcoal Pencil, Pastel Pencils on 9” x 12” Strathmore Archival Sketchbook Paper.

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Anastasija Oprisnaka Anastasija Oprisnaka
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Korra the Avatar

Re-watching the series now. Really liked the general concept, visual character design and the action scenes. It even inspired me to make an AMV about Korra >> https://www.youtube.com/watch?v=-TIidatQrw8 It was nice and refreshing to see a (physically) strong rebellious female character, something different from a usual portrayal of female characters. However something went down the hill and I'm struggling to go past the 1st season hehe. I know, Korra and the whole series are quite controversial and I understand why, but as a female myself I was inspired by this badass female character (well, as I explained, until some point, but nonetheless). Anyways, hope you enjoy my drawing ^^ Program used: Paint Tool SAI

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Maia Palomar Maia Palomar
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Smeared

Pastels...I've never been a huge fan of working with them, mainly because I can never seem to get them to blend or move the way I want. I think this turned out okay; it's not the worst it could've been...not the best. It was fun to try, considering the fact that I rarely try new mediums, and it got my mind off everything I've been worrying about. Anyway, enjoy.

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Kristel Kristel
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Teresa Berganza

Portrait done with charcoal and white pencil and pastel

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Chris Richards Chris Richards
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Cwmtawe Clouds

Really enjoying experimenting with soft pastels. This piece was the first time I used Pastelmat. It's an amazing surface to use with pastels as it takes loads of pastel, the colour stays vibrant, and there's minimal dust

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David Terrill David Terrill Plus Member
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Portrait of the artist
1/5

Portraits of authors, actors, and directors connected to the theme of horror/suspense. A few from the series made during a past Inktober event.

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Joer_B Joer_B
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Agony
1/3

Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.------------- The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn. Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Joer_B Joer_B
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Waiting Room
1/2

From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.

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Maia Palomar Maia Palomar
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Sketch

The past two days have been interesting, to say the least. My anxiety kicked up again, yielding two more panic attacks...oh joy. There's an increasingly chaotic external environment: COVID-19 positivity rates rising, looting, SAT nonsense (thank you College Board for not giving anyone information and for being very uncooperative). Am I angry at people in the world? Yes, and I know that's a generic, over-used phrase, but I truly am. I'm tired of all of this. I'm aggravated with the current state of the U.S. There's moments where things feel fine, and others when it feels like things are closing in. No one knows what the next few months will bring and tensions are high. Will things work out? They will eventually; they better. But, at the same time, what the heck is even going on anymore?

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Nev Nev
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Secluded

Pastel, charcoal pencil and graphite on watercolour paper, 29 x 36 cm

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Richard Taylor Richard Taylor
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Bernal Heights, San Francisco

Colored pencil and ink on pastel paper.

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Valeriya Nikolayeva Valeriya Nikolayeva
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Pastel portrait

I tried out some new drawing techniques and got new pastel brushes!!! What do you think?

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rhea daniel rhea daniel
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Crown - Pastel Sketchbook

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Baobab Tree at Sunrise

I gravitated towards the fony baobab, a real type of baobab. Sadly, all baobabs are in decline, which informed my composition. I used pastel earth tones and a lot of blacks. Digitally hand-drawn in Rebelle 6

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Maia Palomar Maia Palomar
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June Commission: Robin Williams
1/5

First OFFICIAL Commission! 8x10, Watercolor and Pen. Hey everyone! This time, I'm actually back. First off, let me say I was not planning to fall off the face of the Earth again. At the time I last posted, I had a little less than a month of school left and I had hoped I could wrap up all my final projects early and be done. I was wrong. My teachers assigned more and I had work due up to the day before school ended, but I survived! Since my last post, I do have some updates. 1. I did indeed graduate high school! I was very lucky my school not only had a ceremony, but it was at Soldier Field. (I'm very happy to say I graduated Summa Cumme Laude and with the honors of completing the Alpha STEM and the Arts program.) 2. I also got an Instagram! I'll be using it not only to post final pieces but also as a way to post progress. {@mapalomar.arts} With regards to this painting, it is my first official commission, past commissions were from people I knew (family or friends) but this one isn't. I can say I'm pretty proud of the end result, especially as a person who doesn't consider themself a watercolor artist, it's not too shabby. :) Anyway, I hope this piece will have a safe journey all the way to its new home in Massachusetts.

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S. Park S. Park
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Luminous Lilac - Cra-Z-art & Crayola crayon

Pastel petals steeped in sunshine.

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Maia Palomar Maia Palomar
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Lure

"To tempt someone into doing something or going somewhere, to draw in." 16x20 in, white charcoal and pastel on black paper.

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Nav Nav
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Stargate - Jack ONeill

Newest work! Alcohol inks for the sky, oil pastels for O'Neill himself :). A2 canvas - biggest I've done in a while! This was a present for the boyf, who is a massive Stargate fanboy!

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Maia Palomar Maia Palomar
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Crinkled Fabric

I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.

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Nav Nav
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Dolores

Late night painting, oil pastels this time. And I just discovered using turpentine! And also how it's really bad for your health...

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Nina Leth Nina Leth
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Shopping girls

I have always liked drawing with wild pastel colors and finish with a black pastel on top. Then use a needle to put put the image. Off course it is even more easy on a devise, when you don't get all the mess.

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kartika paramita kartika paramita
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current mood

current mood

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Bleu Hope Bleu Hope Plus Member
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Pink Elephants Wont Do (Try Sharks Instead), April 2022.

Why not?

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Ilga Jansons Ilga Jansons Plus Member
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Neon Psychedelic Challenge
1/3

Sakura Pigma Micron pen and DR PH Martin Radiant Concentrated Watercolors. One side was painted, then embellished with ink, scanned into Photoshop, copied, flipped and pasted to make the two sides. (Fairly large image, so I included a couple of details.) Silly but fun to do. A little "acid" and a few hours of gazing is all you need for a profound experience. Ask me how I know.

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Ilga Jansons Ilga Jansons Plus Member
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Evening drawings

Most evenings, I watch a couple of news programs streaming on my computer. During that time, I also make it a point to draw a person (usually from an on-line reference photo) with a No.2 yellow pencil (generally Ticonderoga) on whatever paper is handy on my desk. It's good practice and keeps my hands busy. These are some "News Doodles" done this past week.

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Jim Bradshaw Jim Bradshaw Plus Member
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Conferences Notes and Doodles

Doodles and notes I started at a regional NJ chapter of SCBWI conference this past weekend. Then just kept adding stuff to the page this week. I learned a lot and met some great people. Looking forward to June!

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Juice_Lime Juice_Lime
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Avatar

Hi. Am I hard to see? You are free to look closer. This is how I will most frequently present myself as, drawn here in an effort to rejuvenate past drawing abilities . Both Ego and Shadow are delicately present as one, although still not the truly completed form. That is still outside my own grasp within the field of creativity. Everything here has some meaning, including the blank background. A "Domain" in the form of a canvas. The ability to bend reality. A shadow that opens the door to the extraordinary. The simple tools to channel one's creativity. Most importantly, an Avatar of one's being.

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Slobodchikov Alexander Slobodchikov Alexander
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A series of pastel illustrations

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Paul Mennea Paul Mennea
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someone in the room

someone in the room - sketch wax pastel

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