This is a work I made as a reaction to a questionaire about suicide. I got over it, but I have been there, done that. Despair, the feeling of drowning, reaching out but never getting the help you need, deep dark depression, the grey-brown brainfog. Yet: there is some light, there always is, but I'm too scared to look at the light. I didn't varnish this pastel-drawing, just to accentuate the fragility of mental health. What you need to know it that I got out of this and so can you if you are this deep in trouble. I'm doing much better. January 2020, pastel on A3 paper.
First time oil pastel. Concepts and Hope: as a woman struggling with autism spectrum disorder I grew up not understanding basic concepts in the world around me. Maybe this is universal. I didn't understand why we had to go out to play in school for example, or I didn't understand other people might not be as honest as I always had been. A lot of concepts have a different meaning for someone like me. So here I am naked between the concepts, misunderstood but hopefully looking up. Maybe one day the world will be more like my ideals are, maybe I will create a circle around me of likeminded people, maybe the world will never change enough but I will find peace with myself. One day I will get peace, one way or another. Hope. Oh and yeah, it's a mess with the oil at the bottom. Does anyone have some ideas to improve my technique?
This painting is based on the original Dream of Nimue by mixed media artist Ida Andersen Lang. I tried to do it Justice but my paper was terrible and could not withstand many mediums. Watercolor, colored pencils, pastel, gloss varnish, on mixed media paper.
Rough and smudgy. Kind of how I feel. I got frustrated and just put a bunch of pastels on paper. It's not pretty but it's pretty close to being an authentic look inside myself.
A silhouette of a tree in the moon light .It may looks simple but inctricated with repeated strikes for leaves . back ground done with oilpastels crayons.
Ballet dancers in coloured pastels which I don't use very often. I did this work a while ago as a test piece for the medium which I'd never used before. To be fair I don't enjoy doing pastel work myself but love to see it by other artists.
Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.