Keeping occupied pre-Samhuinn and Halloween night yet again, because I can’t keep the pen down this time around in the immediate run-up for some reason!
Big Al Lopez from Sktchy. Pen and watercolour. This was only meant to be a doodle in a corner of a sketchbook to knock the cobwebs off as I haven't done pen and watercolour in months, but I quickly got enthused with it and really like the end result!
(Gel Fineliner on A5 Paper) The second of five small drawings which are meant to show what happens when an artist gets bored of a subject. You draw something halfheartedly and think "That'll do!" XD
This poignant black and white pencil and ink drawing captures the essence of a dark, broken man with sand slipping through his fingers, symbolizing the passage of time and lost hopes. A hole in his chest reveals his heart, while beside him stands a similarly broken woman. In the foreground, withered flowers and a shattered hourglass accentuate the theme of decay and loss. The background features a forgotten playground, representing the loss of innocence, and a swirling vortex with lightning in the sky that engulfs the man's illusion of reality. This artwork speaks to the emotional turmoil and fragility of the human experience.
Jane Austen (1775–1817)
Austen never lived alone and had little expectation of solitude in her daily life. Her final home, a cottage in the village of Chawton, England, was no exception: she lived there with her mother, her sister, a close friend, and three servants, and there was a steady stream of visitors, often unannounced.
...
Austen wrote in the family sitting room, “subject to all kinds of casual interruptions,” her nephew recalled. She was careful that her occupation should not be suspected by servants, or visitors, or any persons beyond her own family party. She wrote upon small sheets of paper which could easily be put away, or covered with a piece of blotting paper. There was, between the front door and the offices, a swing door which creaked when it was opened; but she objected to having this little inconvenience remedied, because it gave her notice when anyone was coming.
“Composition seems to me impossible with a head full of joints of mutton & doses of rhubarb.”
From Daily rituals by Mason Currey
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