Literally just void Henry. I'm gonna be a lot less active on here because I got Instagram, where a lot more people like the sort of work I do. Link in bio
This is a digital drawing of four random characters. The two on the left were totally spontaneous -- meaning they didn't exist until this picture was drawn. Buddy (on the right bottom corner) is one of my recent creations and he's developed into a very loveable character. Ninjo, I've actually known for a long time. She's a crazy gal -- always chopping stuff and crashing through ceilings. Come to think of it.. she's not really like a ninja at all..!
The whole purpose of this drawing was to showcase my skill areas. I'm skilled in people (both male and female), animals, and even inanimate objects.
I've began to make a whole load of album covers. They don't quite correspond to an actual playlist, but they're their own thing. Each album has lore behind it, but I'm not giving it away. It's your job to try and figure things out; like a little puzzle. Drawn with FireAlpaca.
Life is like a long journey. You see the final scene at the end, which is death. I have often fancied that if I had experienced so much in my life, I would be happy even to go to death.
In an ambiguous relationship, people's minds are always guessing. Pull a rose petal. Yes, he likes me. Pull another petal. Oh no, he doesn't like me. Even after tearing a bunch of flowers, the answer remains unclear.
A full-body illustration of Ace. I think he might be my favorite out of the two. I imagine Bowie to be just slightly a little more naive than Ace. Drawn with FireAlpaca.
Two new characters; Ace and Bowie. They work at a casino together, and are best friends. They always wear their masks no matter what, and are so in coordination with each other that they might as well be twins. Or something. Drawn with FireAlpaca.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
This is Yoki, from Dweller's Empty Path. She's someone who works for the Crown and helps calming down BEAST-Types. No other one possesses this power though, what makes people suspect she might be a BEAST-Type herself.
This drawing has gone through several iterations (rough napkin sketch, sketchbook sketch, black and white version, limited colour version). 2021, Bic4 Ballpoint Pen, Novelty 10 Colour Ballpoint Pen on 9” x 12” Archival paper. Model: ImaniZ
I really like this piece. I dunno why. His eyes are a litte bigger than I usually draw, but aside from that, it's perfect. I think the cherries are a really good background, due to the backstory of this character. Drawn with FireAlpaca.
Face homework. This was following a couple of super uncomfortable hours trying to draw people moving in videos, which was such a struggle for me (and my deepest art desire right now!).
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
