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photograph

Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Tazio Tazio
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My plans failed

Photography and acrylics on wood

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Celeste Celeste
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Mother Natures Bounty

Mother Nature Drawing Challenge

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Anika Kuntze Anika Kuntze
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butterfly

it’s basicly an ink drawing with acrylics underneath on canvas. This is a detail of the big picture. I photographed it and then layered it with its mirrored picture.

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Jon Moss Jon Moss
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Untitled

The unique perspective of Aldous Huxley. (Reference: National Portrait Gallery, London. Photographer: Howard Coster 1934)

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Adam Lewis Adam Lewis
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Untitled

Part of my Sh!t Stock series – Doodle bombing stock photography.

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Amanda Harris Amanda Harris Plus Member
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Study

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Amanda Harris Amanda Harris Plus Member
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Inside

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Amanda Harris Amanda Harris Plus Member
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Macro Exercise

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Amanda Harris Amanda Harris Plus Member
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Bare

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Amanda Harris Amanda Harris Plus Member
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Wilting

Photography.

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Amanda Harris Amanda Harris Plus Member
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Singular

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Amanda Harris Amanda Harris Plus Member
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Edict

Photograph taken in a doctor's office.

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Amanda Harris Amanda Harris Plus Member
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Erasure

Erasure effect achieved through AI.

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Amanda Harris Amanda Harris Plus Member
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Glitch

AI-edited photograph of a Flushing model.

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Amanda Harris Amanda Harris Plus Member
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Remixed

AI-edited photograph of a bridge.

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Amanda Harris Amanda Harris Plus Member
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Noir Roses

AI edit of flowers.

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Amanda Harris Amanda Harris Plus Member
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Still and Serene

AI still of a Flushing park.

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Amanda Harris Amanda Harris Plus Member
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Flushing

Still of a Flushing shopping center.

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Amanda Harris Amanda Harris Plus Member
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AI Night

AI-altered image of a tree.

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Amanda Harris Amanda Harris Plus Member
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Surreality

AI edited picture of a New York bridge.

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Amanda Harris Amanda Harris Plus Member
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Untitled

ICM (Intentional Camera Movement) experiment.

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Amanda Harris Amanda Harris Plus Member
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Rush

AI edit of a New York street.

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Amanda Harris Amanda Harris Plus Member
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Noir Shadow

Noir take on a Flushing, NY bank.

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Amanda Harris Amanda Harris Plus Member
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Noir Still

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Amanda Harris Amanda Harris Plus Member
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AI Redemption

AI edited still.

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Amanda Harris Amanda Harris Plus Member
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Maybe Dusk

Photo of New York.

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Amanda Harris Amanda Harris Plus Member
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Supersonic

AI-edited photograph.

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