My friend and I are trying to nail down a tattoo idea for her that involves witchcraft and weight lifting. (Note: the final picture was supposed to be two different ones, but appears to be repeating itself. This happens to me sometimes. Not sure how to fix it.)
Definitely doodling---This is my first mandela and it ranged from great fun to great frustration. It ended up a little "waby swaby," but I suppose that's in keeping. It's 12 inches across with 32 points. Drawn with a micron pen, then colored in markers (in whatever colors I happened to have) and has colored pencil shadows. I scanned it into PhotoShop and played with altering colors. Made a green one for my green-crazy friend and a subdued desaturated one for myself. It's quite printable on my oversized color laser printer---so ill be a fun "social distancing" poster gift for my friends. Each one with a personal color range.
A steam titan from the elder age, long forgotten. But this mammoth of gears and levers has not fogotten it's purpose. It delves through stone, and rock and mineral and earth. It hasn't stopped since the master's last order. The very nature of this machine is loyalty itself. Sometimes the scavengers follow it, picking up the remains it leaves behind in its search. What is it searching for? The center of the Earth? Nirvana? Hell for us ?
Many a strange thing lay in the world of Nornwan. Was it always so? Mayhaps...
But to find the answers to these questions, we must do as this steam engine, we forge onward. March on, Untitled Heroes. We are untitled. No one can stop us. https://www.youtube.com/channel/UCKXBKF6a2BWVDy_SgMvk8GQ?view_as=subscriber
#cartoons #cartoonart #cartooning #cartoony #nornwan #spiders
#cartoonist #inspiring #colors
#untitledheroes #art #artoftheday #original #fantasy #originalcharacter #awesome #artwork #mixmedia #newcartoon #nornwan #supercool #story #storytime #indie
#wasteland #apocalypse #steampunk #steampunkstyle #steampunkdesign
I'm working on a series of childhood stuffed animals versus child monsters (i.e. the safety of home vs the real world and its bullies). I haven't done the monsters yet, but here are the stuffed animals. I drew them from memory as opposed to referencing what Cheer Bear and Rainbow Brite's dog looked like. I looked after. I didn't get them quite right. That's OK; I think the wonkiness adds to the charm. These are drawn in reverse for a woodcut effect, then scanned and printed and gone over with gouache and watercolor.
This project consist of 3 different gouache/ watercolor paintings with pencil details on top. I actually made these for a specific purpose, but I made make more, since I really enjoyed making it!
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
Painting, drawing, crayoning, markering (I just made that word up)...it's always more fun when a child is involved, even when they purposefully color over a character. It adds character to the character, no?
Dmitry Shostakovich (1906–1975)
Shostakovich’s contemporaries do not recall seeing him working, at least not in the traditional sense. The Russian composer was able to conceptualize a new work entirely in his head, and then write it down with extreme rapidity—if uninterrupted, he could average twenty or thirty pages of score a day, making virtually no corrections as he went.
But this feat was apparently preceded by hours or days of mental composition—during which he “appeared to be a man of great inner tensions,” the musicologist Alexei Ikonnikov observed, “with his continually moving, ‘speaking’ hands, which were never at rest.”
Shostakovich himself was afraid that perhaps he worked too fast. “I worry about the lightning speed with which I compose,” he confessed in a letter to a friend. Undoubtedly this is bad. One shouldn’t compose as quickly as I do. Composition is a serious process, and in the words of a ballerina friend of mine, “You can’t keep going at a gallop.” I compose with diabolical speed and can’t stop myself.… It is exhausting, rather unpleasant, and at the end of the day you lack any confidence in the result. But I can’t rid myself of the bad habit.
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #shostakovich @masoncurrey
I accidentally made a new oc,he's a red-headed very tall 10 year old gymnast with a star theme.his best friend is an tall pink male imp with a heart theme (I'll probably never draw him)
2023, Ballpoint pens on 5” x 8” acid free Moleskine sketchbook paper, Adobe Photoshop colour correction. I was doing pre-purchase research before deciding on a set of noise cancelling earbuds when I landed on the Google Pixel Buds Pro website and found an interesting model in an interesting pose.
A fun drawing to do. I usually do a lot of crosshatching, but for this one I went for the smoothness, better to capture the light, I suppose, where crosshatching can be a little distracting. Or look like hair! As some have said.
In the style of Lucien Freud, this little painting didn't take long, but was fun and an accurate representation of the model. Plus size models are often just as interesting as many of the thinner models we got in drawing sessions. Beauty exists for different people in different ways. Character is certainly a big aspect.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I originally drew it on paper but then afterwards I quickly ruined it I decided to draw it digitally again,she's another food person oc,I wasn't supposed to draw her until later on but she was fun to draw
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
