Sewing paper is lots of fun. Taking a lot of my cats and sewing them to pretty paper. Not sure what I will do with them after that, but they are fun to make.
Graham's Up the Tree! ("and there's nowhere else he can go!") - my 4 year old ran around the house for weeks misquoting the story with his own interpretation of an Australian accent. Calling it out over, and over, and over again.
Here is a really weird jellyfish I drew. I cannot even count all the jellyfish I've drawn over the years. I don't know what to say really other than the fact that I love them. :D Created with Ink Pen and Procreate. www.janelledimmett.com
Drawn with Clip Studio Paint and XP-Pen Artist 15.6 Pro pen display tablet.
Critically Endangered The White-headed Vulture has undergone catastrophic declines in population number, with an estimate median decline in 96% over three generations (45 years)
This decline has been seen in its very large range from West Africa, across to southern Africa also. Reductions in populations of medium-sized mammals and wild ungulates, as well as habitat conversion throughout its range best explain the current decline. Additional threats include indirect poisoning at baits set to kill jackals in small-stock farming areas. This species is also recorded in trade in West and Central Africa as this species is used for both traditional medicines and also they are intentionally killed for use in witchcraft. This species is part of the Accipitridae bird family, which diverged from all other species of bird 49.6 million years ago during the Paleogene period. Vultures split from the other genera in this family 12.7 million years ago. This species is highly sensitive to land-use and is concentrated to protected areas. Individuals were marked with patagial (wing) tags in Fouta Djallon vulture sanctuary to monitor movements and for a toxicological assessment of the vulture population of the park. Additional studies to monitor the movements of individuals within and between protected areas in underway is South Africa. Info: Edgeofexistence . org #birdlife #birds #birddrawing #birdsketch #whiteheadedvulture #vultures #bampidraws
Not sure what to say about this one. I like it. As many of you can probably see, I've been trying a more pixel-art-style technique lately. I use this program called Kleki--it's pretty cool. Also, I need a name for the grey creature.
What a wonderful Kirkus review!
(Paired here with my favorite improper contraction.)
"A thoughtful look at life, in all its beauty and strangeness.
...
This delightfully deadpan musing on life urges compassion for others. Howden’s straightforward text is on the philosophical side, though also rooted in the absurd. Hahn’s spare black graphite pencil watercolor, mostly set against a white background, are imbued with humor and empathy for the pickle, with the foodstuff’s expressive eyes conveying many emotions at once. "
https://www.kirkusreviews.com/book-reviews/sarah-howden/the-wise-pickle/
THE WISE PICKLE
by Sarah Howden ;
illustrated by Sabina Hahn
RELEASE DATE: June 23, 2026
Last spring we had nineteen canaries. I must tell you, once and for all, that canaries are very virulent birds.
It starts with the mother bird and the father bird.
They have babies. And before the babies get a single feather on their bodies they have to leave home and the father bird sings again and the mother bird lays new eggs. That's how things go with canaries.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
Continuing to consolidate the colour profile of the White Bird. Even if the photo fails to capture it, those pale shades are actually a sophisticated mixture of grey, sky blue, pink, and purple shades, managed with eraser and finished with white.
Have been working on my ability to manage lighting, softening the shades and contrasts. Colouring white things are actually not easy, because you will notice all the minute colouring differences much more easily.
#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.
For some reason, I had to prove to myself that good art does indeed take time. Anyways, this is an angel character (they're not real angels, they're a fictional species of mine) in my "spacefluff" style. I think I want to name her Mosambi, because she's sweet.
I made my golden calf in the arbour because it was a pagan place and a circle is always a good setting for sculpture.
It was very difficult to get the legs to stay upright but in the end they did and I nailed them to the socle just to make sure. Sometimes I stood still, listening for the first rumble of the wrath of God. But so far he had said nothing. His great eye just looked right down into the arbour through the hole between the tops of the spruce trees. At last I had got him to show some interest.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.
