Rabbits thorns and moons. I usual don’t know where I’m going when my pen touches down. The illustration took me for a ride and I’m not gonna lie. I kinda enjoyed it. As it progressed, it felt like an album cover so why not?
Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.
In folklore, a will-o'-the-wisp, will-o'-wisp or ignis fatuus, is an atmospheric ghost light seen by travelers at night, especially over bogs, swamps or marshes. --Wikipedia
11” x 17” Original ink and watercolor painting on Arches 140# hotpress watercolor paper.
Signed by the artist. Unframed.
I like this guy! Illustrated portrait resulting from my illustration printmaking techniques demo video. Inked up a piece of plexiglass and had some fun. Monoprint (or is it a monotype) + Adobe Fresco for the color finish.
Adobe just released a new drawing and painting app Fresco for the iPad. Here are few experimental images. I have to say I am impressed with the natural media brushes and the interface.
I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
