present

Inspired by the symbolism of the cherry blossom flower, which represents beauty and strength, as well as the expression, “Life, Death, and Renewal”, this piece completely embodies this expression, reflecting on the harmonious balance between human and nature. Each unique detail, from the soft elegance of the cherry blossoms, the chaotic nature of the setting, followed by the expression of complete calmness of her delicate features, helps portray the turmoils she once faced, and how she overcame her fears and saw her true beauty.

Through strange realms of odd memory, looking to gift something in eyes beautiful. What is this pain represented? Why these tears emerge? A darkness must always follow.

Heart and mind that possess conflict upon one another. Fractures seen, but with struggle emerge the odd frame presented. Vibrancy in the core.

Mother Nature in contemplation, the butterfly representing she sees through all the living.

Representing with a doodle the modern human behavior. #doodle #human #humanbehavior #behavior #funny #bizarre #ink #traditionalart #art #smartphones #stupid #idiot #brain #humor

Well, this is my birthday present for Adit who recently upload several cooking video on youtube (called FOOD PAPA). And now I know that I love illustrating food.

•EMI ♡ DOODLE• I’m a Doodler ( Doodle Artist ). Constellation Collection -The Sea Goat- The Greek Mythology of the sea goat, half goat and half fish. The top represents as the land the tail represents as sea. It’s belong to the earth element as well, and It’s my favourite constellation of all.

Lindsey's present for Valentine's Day. She loves to read fantasy novels so I put her in one.

Lindsey's prompt: Present

Imperfect Lines, Honest Presence This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete. But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains. When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing. So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal? Perhaps presence itself is the real art.

Chairs are more than wood or iron. They are metaphors, quiet keepers of what it means to be present. They wait, as Wendell Berry might say, for us to “make a place to sit down. Sit down. Be quiet.” I draw them because they embody the humblest love—affection, as Berry calls it, that “gives itself no airs.” In their stillness, chairs hold the weight of relationships, the churn of thought, the grace of silence. They are where we meet, where we linger, where we become. These three drawings are offerings—sketches of chairs that invite connection, reflection, and the slow work of being. Each is a small sacred place, as Berry reminds us, not desecrated by haste or distraction, but alive with possibility. Drawing 1: The Coffee Shop Chairs Two wooden chairs face each other across a small round table in a coffee shop, their grain worn smooth by years of elbows and whispered truths. The table is a circle, a shape that knows no hierarchy, only intimacy. These chairs are for relationships that dare to deepen—for friends who risk vulnerability, for lovers who speak in glances, for strangers who become less strange. They ask for eye contact, for mugs of coffee grown cold in the heat of conversation. Here, sentences begin, “I’ve always wanted to tell you…” or “What if we…” These chairs shun the clamor of screens, as Berry urges, and invite the “three-dimensioned life” of shared breath. They are the seats of courage, where presence weaves the delicate threads of togetherness. Drawing 2: The Sandwich Café Chairs In a sandwich café, two wooden chairs sit across a small square table, its edges sharp, its surface scarred by crumbs and time. These chairs are angled close, as if conspiring. They are for relationships of a different timbre—perhaps the quick catch-up of old friends, the tentative lunch of colleagues, or the parent and child navigating new distances. The square table speaks of structure, of boundaries, yet the chairs lean in, softening the angles. They wait for laughter that spills over plates, for silences that carry weight, for the small confessions that bind us. These are chairs for the work of relating, for the patience that “joins time to eternity,” as Berry writes. They ask us to stay, to listen, to let the ordinary become profound. Drawing 3: The Patio Chair A lone cast-iron chair rests on a patio, its arms open to the wild nearness of nature—grass creeping close, vines curling at its feet, the air heavy with dusk. This chair is not for dialogue but for solitude, for the slow processing of thought. It is the seat of the poet, the dreamer, the one who sits with what was said—or left unsaid. Here, ideas settle like sediment in a quiet stream; here, the heart sifts through joy or grief. As Berry advises, this chair accepts “what comes from silence,” offering a place to make sense of the world’s noise. Its iron roots it to the earth, unyielding yet tender, a throne for contemplation where one might “make a poem that does not disturb the silence from which it came.” This is the chair for becoming, for growing older, for meeting oneself. These three chairs—one for intimacy, one for the labor of connection, one for solitude—are a trinity of relation. They are not grand, but they are true. They hold space for the conversations that shape us, the silences that heal us, the thoughts that root us. They are, in Berry’s words, sacred places, made holy by the simple act of sitting down. My drawings are but traces of these places—postcards from moments where we might remember how to be with one another, or how to be alone. So, pull up a chair. Or three. Sit down. Be quiet. The world is waiting to soften.

A birthday present for my cousin, Alexis. I asked someone what she was into for this. "She likes hello kitty, the utah mountains, sharks, leopard print, and flowers." This one was a challenge to come up with.

I wanted to show what anxiety feels like for me, something hot, something stuck and entrapped, both present and away, most of all always there.

Happy new month!

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

I completed reinvented Chump. Ok, so story time. When I was 16 I created Chump. The name came from a nickname I received, I won't go that deep. But, I created her in black and white. The original design was inspiration from Tim Burton. But over the years she had changed due to my own imagination and maturity. But I suppressed her for a long time. A few years ago I brought her back to life. But I wasn't happy with how she was turning out. So the last few years my life spiraled and I have grown and changed. So now I felt it only right to change Chump as well. She has been an extension of me. I wanted so much for Chump, but she got lost in static and time. But here she is new and improved. She represents the part of me that keeps fighting and will not stop despite the odds and opinions.

Got started on the classic show again and got the urge to draw out the greatest evil that ever crossed our screens. Though with the twist of showing the Great Evil in a more desolate, ruined presentation. What do you guys think?

The amaranthus are commonly used as symbols of eternity/immortality due to its ability to retain its color for a long time after dying/cut off". I thought that this phenomenon represents "hope" more than the more common meaning of "devotion/undying love". Having hope keeps us alive during difficult periods where we are cut off from the things that typically motivates us, whether it be financial resources, loved ones, etc., and I tried to convey this by juxtaposing the vibrant colours of the flowers (symbolizing hope and life) with the grayscale tone of the statue (symbolizing death and brokenness).

This is the Lord Shiva Silhouette art using contrast of shades of green representing his connection to nature and peace it provides to the soul.

The background tries to represent the noise around in the environment and in the mind. Its a silhouette art which asks the viewer to stay quiet and find escape from noise.

I will present my works from the series "My ways" drawn with a pen and ink. Thank you for your time and attention, best regards

The concept for this painting started as a design for a pumpkin carving contest. I felt the message of the design is so important for people to hear, I decided to make it into a painting. The original design, done in pen and ink. The design only shows the two doors of the entrance to a fortress. I tried to keep the design simple, because the carving event is both timed and live. You must create your masterpiece on the pumpkin they provide, on their location, Infront of live spectators. The evolution of the design? I added a wall on each side of the entrance, with matching pillars. Explaining the design of the pillars The triangle top: the triune God. Representing three persons of God: Father, Son, Holy Spirit. The cross shape opening in the pillars: The cross is the only path to God, to have the debt of sin satisfied. To reconcile humankind back to himself. To be released from being a slave to the Devil. To be a new creation empowered by God Spirit. Explaining the design of the entrance way(gate) The top of the entrance is in the shape of a heart, represents the seat of human passion, ambition, and allegiance. The cultic three petal flower is used to represent God in three persons united. The symbol inside the flower: God’s ministry toward humankind. Crown: Highest authority Cross: God’s loving salvation and restoration plan. The dove: Spiritualty made alive, fellowship with God, empowerment to weather the storm of life, and equip for service to God. Change in the design of the door. In the original design, one door had roses carved on it. The pattern took up the whole door. The other door had a grape vine carved on it. The pattern took up the whole door. I modified the emblem on the doors by making them smaller and simplified, so I could place them inside heart shapes, so the new images would more clearly communicate what they are meant to represent. I also added color to the emblems (color pencil) to make them clear of what they are, because of their size and the ink medium ,they were hard to interpret. Understanding the symbol of the two doors. The door with the rose inside the heart emblem represents a heart whose passions, ambitiousness, allegiance are focused on the cares, worries, and abstaining riches of the world. Only giving God lip service. I chose the rose to represent the heart of spiritual allegiance to the world, because roses are pretty, but you can’t eat them to nourish your body. They also have thorns that can cause injury to the body. So, the parallel point is, just as flower fade and turn to dust, so will the person who chases the thing of the world and has no time for God. For life is very short, we know not which will be our last breath on this side of eternity. But if a person leaves this earth without excepting the gift God offered them which is salvation from penalty of sin and given enteral life through the work that was done on the cross by God’s son. Then that soul will appear before Jesus, and just as they did not know him in their life on earth, He will tell them he knows them not. Into the lake of fire, they will spend eternity. The door with the grape vine in the heart emblem represents a heart whose passions, ambitiousness, allegiance are for God. To know Him intimately, to obey His teachings, to serve his will. I chose the grapevine to represent the heart of spiritual allegiance to God, because grapes are nourishing to the body. Jesus also used a grape vine in one of his parables. He paralleled the spiritual relationship he had with his disciples and the grapevine. He told them just as branches of a vine must depend on the base of the vine to live and bare fruit, so they must abide him to have abundant life. Abiding in Christ is not a religious act. It is outside of religion. It is an intimate relationship. Example: you can belong to a fan club of Paul McCartney and know a lot of things you have heard about him, but he doesn’t even know you exist. Where, if Paul is your father, and you have a good parent to child relationship, then you know him intimately. So, abiding in God, we commune with him through read his word and living by its teachings. It is spending time in prayer. Sharing our hearts with God and spending time listing to him. Trusting in him as our provider and giving thanks for his provision. Living our lives, with the purpose of pleasing him with the work of our hand and loving our neighbors in the workplace as well as in the community. Just as a healthy grapevine continues to grow and produce much fruit. Having an imitate relationship with God should be more and more evident in the way we live our lives. So, when the angel of death pays you an unexpected visit, he escorts you to Jesus’s throne, you know for certain he going to welcome you with loving arms and said welcome home my faithful servant. Now to which door I chose for my life? It’s the one that is open. This bible verse one of a couple that inspired me to design this illustration. 1 Corinthians 3:12-13 King James Version 12 Now if any man builds upon this foundation gold, silver, precious stones, wood, hay, stubble. 13 Every man's work shall be made manifest: for the day shall declare it, because it shall be revealed by fire; and the fire shall try every man's work of what sort it is. This verse is not referring to the rebellious people who have rejected God, this is referring to people who are children of God, who failed to serve God faithful. Written by Stephen J. Vattimo. 3 Jan 2024 Evolution of the design of this painting. I believe God through His Holy Spirit guided me to change the crosses on the two pillars, one on each side of the doors. Instead of these windows being fill with darkness, which would represent death by crucifixion, which Jesus endured for humanity, that who so ever is willing may be delivered from the power of sin and be adopted by God to become a member of His family. I was inspired to put light in both cross windows. The cross window on the side the open door, with the grape vines on it, the light matches the color of the light that is coming out the windows of Icons shapes representing the ministry of tri union God. The color I used is a bright firry orang yellowing color. For the bible says God is a consuming fire. The cross windows on the side of door with the flower on it, I used the color greenish yellow lite; to represent a false light, the bible call it a form of Godliness without power. Who so ever tries to approach God another way, than the path God has ordained. They will not be received. The Devil distorts the truth, to lead many to their demise. The only way to know the difference between truth and fallacy, is to study God’s word. Written by Stephen J. Vattimo August 7,2024

The image shows a stylized, colorful graphic design of a multi-legged creature resembling an octopus or squid, presented in a pop art style with vibrant red, blue, yellow and white color variations.

This is a pumpkin design I carved for the 2015 Chads Ford Pa. Historical Society's Great Pumpkin Carve. This years design was a upright dove with out stretched wing, and it's bottom portion becomes an upside down bat with it's wing outstretched . I entitled it Peace And Terror. It represents the two realities most countries around the world are experiencing at this time. This year I thank God for helping me discover the most effective tools and carving method that has finally made me a expert pumpkin carver competitor. I have carved three pumpkin this year, and each one get better then the last. I have been in the past used the hammer and chisel method with wood carving tools. My new tools are clay sculpting tools using the shaving method. This design took me about 7 hour straight to complete . I did not get to chose or see the pumpkin I would be carving until the day of the competition. The carve is a live event,meaning you cannot bring a pre- marked or carved pumpkin to the event. This year I believe there were about 75 pumpkin artist who participated in the event. Written by Stephen J.Vattimo Oct 29, 2015

Will it always be like this? Whenever he tries to love me, will it be just an attempt? This feeling is what I try to represent with the drawing, the tallest and most beautiful flowers are the negative thoughts towards my body and my person; the withered ones are the positive ones, which drown before the greatness and strength of the others.

Drawn in 2019, this is a graphite and ink portrait of my mum's horse that I did as a birthday present for her. I used Fine liner pens and 5H, HB, and 6B graphite pencils on A4 150GSM art paper.

This is a personalized representation of my first mentor and great friend who understood me even before i had to speak

Queen Of Peace.' Part of the proceeds of each sale will go to some good causes. On www.artpal.com/Toddjess This piece was created on drawing paper. 11x15. Acrylic paint. The message within the piece. Philippians 4:4-7 4 Rejoice in the Lord always. I will say it again: Rejoice! 5 Let your gentleness be evident to all. The Lord is near. 6 Do not be anxious about anything, but in every situation, by prayer and petition, with thanksgiving, present your requests to God. 7 And the peace of God, which transcends all understanding, will guard your hearts and your minds in Christ Jesus.

Sugar skulls celebrate the life and stories of our loved ones who have passed on. Each skull encompasses a unique theme representing a piece of their life. It’s a reminder of who they are. It’s their story.