This is an old Formula 3 race car built by Joseph Potts ltd, Lanarkshire, in 1952. They have it in the National Museum of Scotland, where I drew this a couple of weeks ago as a part of Urban Sketchers meetup (as it’s too cold to go outside yet). This is pretty mixed media: pencil, watercolour pencil, white gouache and some acrylic markers. Drawn on spot.
Ancient - The Children of the Forest were around are ancient, mysterious non-human race that long existed and inhabited Westeros way before the arrival of the First Men; 12,000 years before Robert’s Rebellion, according to GoT wiki!
This was inspired by the incredible makeup and costume done on the tv show with a little bit of embellishment on my part!
Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
I have never loved drawing anything city related because I am lazy when it comes to perspective. However, I have learned that I actually like the wobbly nature of my more recent attempts. Or, I simply embraced my laziness. Either way it has been fun!
The Orks, also called Greenskins, are a savage, warlike, green-skinned race of humanoids who are spread all across the Milky Way Galaxy. They share many features with Warhammer Fantasy Orcs (and were initially called "Space Orcs" to distinguish them). They are seen by their enemies (pretty much everyone else in the universe) as savage, warlike, and crude, but they are the most successful species in the whole galaxy, outnumbering possibly every other intelligent race, even Mankind (with the very plausible exception of the Tyranids).
Eve is a continuation on my series of portraits. This piece represents my maturing technique and style as I begin to experiment with creamy consistencies. The painting displayed my ability to capture facial expressions.
My trip to Paris, France influenced my painting style. I was struck by the realism and drama depicted in various compositions, but also the lack of diversity. This piece is named "Eve" questioning whether the holy subjects depicted in European art were, in fact, part of a different race altogether.
