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ring

kmp kmp
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Untitled

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塵粒群 塵粒群
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Untitled

Boring woman

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Jeff Dowdy Jeff Dowdy
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Untitled

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Dede Willingham Dede Willingham
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Untitled

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Marqueta Wells Marqueta Wells
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Woman Wearing Gold Dress

Oil on Canvas

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John Jenkins John Jenkins
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Untitled (02)

Decided to keep this one simple and fill in the shapes instead of layering more beneath them

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John Jenkins John Jenkins
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Untitled

Early days on a new mandala-like shape drawing on 14"x17" paper. A technique I sometimes use for drawings like this is to use pencil, compass, and ruler to get some lines down. Then I freehand over the pencil lines with pen, which gives it more of an organic look. Once I have the empty shapes down, it'll be time to fill *inside* the shapes, connecting the interior parts at the edges for neighboring shapes, which gives the illusion of continuity (and depth) behind the dividing lines. (There's also the option to do the reverse at this point, in which the shapes are left empty inside and the opposite space is filled in; if you search through my drawings you'll see some like this. But more often than not, I prefer the former method.)

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Stephen Stephen
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The Game of Life

Title: The Game Medium: Acrylic Paint on canvas. Size:24” W x 36” H x1” D Year Completed:2026 The first conceptual design for this painting is an ink rendering entitled: The Window of The Soul. The inspiration behind the design is the concept that Christians are supposed to be windows that God’s light can shine through. But the Christian sin nature can block that light from filling a room. The same way window drapes do. In the design the soul is represented as the inside of a house. The stair going down represent Hell. The stair going up to the second floor represent Heaven. The stairs going up to the second floor have no railings, this show that the assentation of the stairs must be made by faith. The Stairs leading down to the basement has a protective railing around it, representing that God is not willing that anyone should perish, but to repent from sin. The Trinity of God is represented by the cultic three Leif flower that is part of the railing that surrounds the subsurface stair well. The second inner railings represent man-controlled descent. No one fall accidently into Hell. People move closer to Hell with every action of rejection toward God they make. The world globe represents, all humanity needs to decide who they are living for. There is no neutral ground. The checked board floor pattern illustrates this reality, the black spaces with the upside-down heart points to Hell. While the white space with the upright heart point to Heaven. The open door with Jesus standing on the outside, represents the need for a savior. Humanity is separated from the direct presence of God, due to their sin nature. God can not stand the presence of anarchy, when Lucifer leaded an armed revolt against God’s Lordships, after he and third of the angel lost the battle, God created Hell , a place of internal punishment, where the enemies of God will dwell. God had warned humanity, that the day they disobey God, they will surely die. So out of compassion God sent His Son to fulfill the righteousness required by God’s Holiness. Jesus lived a life 33 years without sinning, even though He was temped as we are tempted. God’s son was then treated like a criminal, beaten with in an inch of His life, then took the place on the cross as a substitute for a murder and thief named Barabbas. God poured out His wrath on His son, so through faith the unrighteous can be forgiven and made righteous. By putting their faith in God’s savior, and turning from their old rebellious living, and walking in the newness of His Holly Spirit. The second floor is supposed to represent the entrance to the kingdom of Heaven. The lion’s heads in the wallpaper proclaim that Jesus who came the first time as a sacrificial lamb, is now coming as the conquering lion. The open door with the cross on it is the entrance to Heaven. The railing on the second floor with the fish standing on their tail with a cross in the mild of them represent the support of the body of Christ during the Earthly journey toward Heaven. Temptation of the world are represented by the Victorian wooden staircase and fancy rug, the roman columns. The Greek saying on the headier: Eat, Drink, he merry, for tomorrow we die. Stephen J. Vattimo 8/27/2026

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Marina Marina
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Tommy Shelby x OC

Re-uploaded with some edits that no one will notice. The OC's name is Caroline Shelton. She belongs to the middle-upper class; her father is quite wealthy, so she knew no hardship much. But she is eccentric and zealously strives for knowledge, has many hobbies and is skilled in many things because of her pursuits. Basically, all she cared about in life was intellectual development. She had only one friend who could stand her personality and temper, James Holloway. Some time later, he disappeared, and Caroline received his bloodstained watch from an anonymous sender with no explanation, only the mailing address from which the anonymous sent the package. Caroline couldn't think of anything better than to dress up as a man and travel to the town the package came from, introducing herself as James Holloway and gaining fame with her skills. She hopes that if the anonymous hears about an albino man named James Holloway in the town where they might live, they'll contact her again when they hear about her. Her logic is this: this person sent a package containing something important to Jim to her, so they must know something about Jim, her, and their friendship, and if they hear Jim's name used by an albino, they'll understand everything. So she sets out on a dangerous journey, making herself a kind of beacon/signal for the anonymous sender to find them and through them to find Jim or learn what happened to him. She'll meet Tommy during this search.

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V E R S Ā T I L V E R S Ā T I L
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MJ Escosura

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Gerald Boone Gerald Boone
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Quilt Square

Not a beautiful work of art I know. I hope I paint better. But 70 hours of my life made from materials and techniques utilized by those who crossed our nation in covered wagons. I made this for the Episcopal Church in Prestonsberg. The bishop is retiring and 36 Churches in Eastern Kentucky are all making quilt squares for a quilt for him. The material is doubled so it insulates well.

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Norman Malfatto Norman Malfatto
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Caleb

I'm considering starting a little comic with this little guy. Prepare to never see it exist. Also, backgrounds are hard and I didn't do all that much but it looks good!

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Joselo Rocha Joselo Rocha
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Let’s Eat Our Feelings

A playful and vibrant hand-lettered tribute to the universal language of comfort food. Featuring whimsical doodles of pizza, donuts, ice cream, and fried chicken, this design captures that "treat yourself" mood perfectly. Ideal for foodies, snack lovers, and anyone who knows that sometimes a donut is the best therapist.

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Leona Hosack Leona Hosack
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Spring Has Sprung

A spontaneous doodle to celebrate Spring! Pen and ink and colored pencil.

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BeastGurl1989 BeastGurl1989
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Letting Go is harder than holding on

It was just a dream. When I woke up and realized my subconscious was telling me something before I even knew. He never let go...I did. Dreams have a way of inspiring me.

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Joselo Rocha Joselo Rocha
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Flower Field

A vibrant garden scene showcasing an array of colorful flowers with tall stems. The background features a mix of greens and yellows, adding to the lively atmosphere.

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Joselo Rocha Joselo Rocha
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Black Paws in Sun-Drenched Alley

A vibrant, hand-drawn urban sketch capturing the quiet magic of a black cat wandering through a Mediterranean-style alley. Featuring warm orange and yellow hues, loose marker strokes, and a whimsical atmosphere, this piece brings the warmth of a European summer right into your home.

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Joselo Rocha Joselo Rocha
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Historic Red Brick Entrance

A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.

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KAYE J. FOSTER KAYE J. FOSTER
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THIS IS A GREETING CARD I RECEIVED...I WILL POST MY REVERSE COLORING I DID ON IT SHORTLY

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Juice_Lime Juice_Lime
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A Bird Ref

Personal reference for one of my OCs. Was testing out some colour combinations, while figuring out some colouring techniques.

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Jufi Jufi
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The Alchemy of Division

Final assemblage - manual drawing enriched with digital elements, A5 format The punch line: An external, independent force ruined the morning by shattering the cup. Fate took its share. The question is: Does this same external interference have the power to destroy the rest of the day? Does one rotten fruit have the chance to rob all the others of their flavor? The sun will shine no matter the situation. Choice and acceptance don't have to be mutually exclusive!

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Odinel pierre Odinel pierre
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Soaring rates

"Soaring rates" thanks for watching HAPPY THANKSGIVING

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Odinel pierre Odinel pierre
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Coloring unfinished artwork,

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IchibanOkami IchibanOkami
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La Muerte

I wanted to try out death. Or at least a version of her. I think she turned out pretty well. This is just the outline. Right now, I'm working on coloring her. Hopefully she'll turn out great. What do you guys think?

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Ty patmore Ty patmore
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Hand sketch

Did a sketch of my hand using my drawing hand as reference. During a 20 minute sketch session.

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Joselo Rocha Joselo Rocha
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Enjoy Your Smile (I Do)

A colorful and playful typography design featuring the phrase 'Enjoy Your Smile (I Do)'. The text is set against a vibrant pink background, creating a cheerful and positive vibe.

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Ty patmore Ty patmore
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From time to time.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

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Ty patmore Ty patmore
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Hear No Evil (The Materialist)

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

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Embracing nightmares Embracing nightmares
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The skull of Deepwood

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

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Ty patmore Ty patmore
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Mask Up

"Mask Up" by Ty Tatmore (2024) is a powerful and unsettling piece of contemporary social commentary. This work throws the viewer into a scene of post-apocalyptic anxiety where an individual, wearing a striking conical hairdo and a defiant "MASK UP" t-shirt, sits amidst the wreckage of a dilapidated room. The artist uses dark humor and surreal imagery to explore the cultural tensions surrounding public health mandates and personal responsibility. The sign "CHOOSE WISELY!!" acts as a stark warning, while symbols like the gas mask and the Scream mask and also wearing a mask suggest a spectrum of survival and fear. The massive explosion breaking through the window is a haunting, almost surreal symbol of the unstoppable outside forces impacting daily life. With its raw, graphic style and intense atmosphere, this painting is a memorable and thought-provoking statement that captures the isolation, uncertainty, and dark irony of living through a moment of global crisis.

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