Customarily, families give their homes a thorough cleaning in the days leading up to Lunar New Year’s Day. Windows are scrubbed, floors are swept, and furniture is dusted in preparation for the new year, sweeping away away the bad luck of the past year. In addition, dusting is avoided on New Year’s Day, for fear that good fortune will be swept away.
In this photo I drew two Betta fish, a clock and a female in a dark background. Drawing this picture was more of a self expression. The two betta fish expressed conflict; the clock expressed running out of time and the female I guess would represent myself. I was in a dark period while drawing this, but happy to say, I’ve managed to pull through my obstacles =)
Romping through the woods, I happened upon a faerie ring of Slenderman and his acolyte children. I stepped back slowly. I didn't want crunching branches to give me away.
India ink on tissue paper. I had never used ink on this kind of paper before; I really liked the results! There are some folds and wrinkles on the paper that give the pattern some interesting details. The paper is also super absorbing, which plays nicely with the quantities of ink. Since it's very thin, there can easily be overlays between textures. And finally, when trying to use less ink (so that it wouldn't seep through and cause a big dot - the absorbing quality is nice, but it was also somewhat of a challenge!) I used very little ink on the lettering, causing a scratchy, dry look.
i feel to much focus is put on faces being to aesthetically perfect, or perfection in the media approach to what thats perceived to be. i enjoyed drawing a more imperfect edge to it and the use of the light beams was a cool thing to draw. the meaning was a look at self -adulation and the clamour for attention through various social platforms, being valentines day as well i feel to many people fall into that trap what promotes nothing more than a money making event. this helped form the title of "seduce her" using a medusa as a subject matter.
From Sketch to Final Water Coloring Stages, this is a spread from Tide Day! A lot goes into making a good composition, taking into account the center of the image where the binding is, and how to play with size and negative space. One of my favorite things to do is explore contrasting expressions between characters and highlight their emotions through physical stances and expressions. This was a tough challenge with the lack of limbs and the watery context, but Pearl's stubbornness and attitude shines through!
When I read the first book of the "Outlander"-Series by Diana Gabaldon, I was really inspired by the idea of travelling in time through places like Stonhenge. This is what it looks like in my head.
I've burned through 6 weeks straight of non-stop drawing. I think it means I'm healing up from a painful relationship I needed to end. Sometimes we attract someone due to a perceived chemistry. Then one day we wake up and realize that chemistry is acid and this isn't actually love. This is a distortion. And I don't need to walk through this pain anymore. I've actually grown enough to recognize that being alone, without pain, is a thousand times better than being with someone who refuses to recognize their behavior. Some people have no idea that words can do much more damage than a weapon. Words can kill. If you can't control your tongue, then don't speak. Make this a rule for your life if you care for someone.
4 year old Henry engaged fully with thick applications of watercolor and oil pastels. He said it was a stormy sea with a small boat. This was at the onset of the pandemic, when we were all a bit uncertain and confined to our homes. I was reminded of an insight by Kierkegaard written in the early 1800s: “When the sailor is out on the sea and everything is changing around him, as the waves are continually being born and dying, he does not stare into the depths of these, since they vary. He looks up at the stars. And why? Because they are faithful – as they stand now, they stood for the patriarchs, and will stand for coming generations. By what means then does he conquer changing conditions? Through the eternal: By means of the eternal, one can conquer the future, because the eternal is the foundation of the future.”
I got a little emotional when I heard the Lahaina banyan tree would make it through the Maui fire. I found a reference and painted a watercolor of the new growth. I come from a Navy family and was born in Hawaii. Let me know if I got the transparency and shading right or if it is aesthetically pleasing.
The kids jump, and call, and send koo wees up to the koo wee sky! When I draw happy characters like this I find myself smiling and I don't even realize it. I hope that happiness comes through in the art. - From "Graham's Up the Tree"
After 1.5 hrs of experimenting...
It wasn't easy to decide on what body shape my character should have. Through an "intuitive approach" of shifting anatomical proportions, it was still decided to remain on an avian's concept instead of a wyvern's. Wyvern can be kept to the wyvern... The phoenix needs something more like an bird's, after all.
p.s: I also have to remember to keep the neck shorter...
A vibrant, hand-drawn urban sketch capturing the quiet magic of a black cat wandering through a Mediterranean-style alley. Featuring warm orange and yellow hues, loose marker strokes, and a whimsical atmosphere, this piece brings the warmth of a European summer right into your home.
Finally getting back into the swing again , heres my p40 drawn out on the canvas . I inked it so hopefully the details will show through when im painting it ...
A predator reduced to bone but not to silence. The body is gone, yet the motion remains — jaw open, spine curved, still moving through water that no longer needs flesh to carry it. This is not a fossil resting in sand; it is a hunter that never learned how to stop.
The ocean keeps its shape alive. Instinct outlasts life.
Some creatures don’t die — they continue.
Stripped of skin, status, and story, what remains is the truth beneath it all. Bone Deep is a minimalist skeletal portrait rendered in graphite and ink on canvas, built through cross-hatching, stark contrast, and deliberate restraint. The exaggerated skull and hollow eyes confront the viewer directly — not with fear, but with inevitability.
A stylized architectural illustration capturing the intricate beauty of a classic brick gateway and decorative ironwork. This design blends traditional sketching techniques with a modern, vibrant color palette, making it a perfect statement piece for those who appreciate urban history and fine masonry details.
If a thousand girls walked past under this tree not one of them would have the faintest idea that I am sitting up there. The pine cones are green and very hard. My feet are brown. And the wind is blowing right through my hair.
Sculptor's daughter by Tove Jansson.
#dailydrawing #toveJansson
A quiet study of restraint at altitude. Framed through an aircraft window, the world below drifts by while the interior remains still—objects worn, familiar, and waiting. Subtle distortions in perspective and muted tones emphasize the tension between motion and pause, progress and endurance. This piece captures the discipline of waiting while suspended between departure and arrival, where patience is not passive, but practiced under pressure.
What I Learned from Looking
through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity.
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
