*Ps:not my bestest work at all! even I took 11 days on this aka 1 an half weeks on it and I liked finished ver better then inked ver!* (finished ver is better)*
(Ps emma fan pride month is very soon
Medium : Pen and Ink on Bristol Board
Size : 11" x 15"
Year completed : 1987
This rendering is part of a collection of illustrations entitled " The Army Years." This rendering remind me of a ride I took on A Army National Guard helicopter,while I was serving in the Air Force- Civil Air Patrol. We were helping them to figure out the safest, and fastest, flight paths between hospitals, for when a patient needs to be air lifted from one hospital to another.
I got to rider in one of the sides compartments of the craft, with the side door open ( of course I was strapped in to my seat ) the craft at one point flew with my side parole to the grown, as it made a couple of sharp turn, real fun ride.
I served in the Civil Air Patrol for 4 year, one of the benefits, was a lot of flying time.
I Severed in the United States Army fore 9 years, 4 years National Guard, and 4 years Regular Army. While in the military , I was a anti tank toe missile crewman, Combat Engineer , and a Field Medic. I served during The Panama War, Desert Shield/ Desert Storm, Police action in Somalia.
This picture is entitled " Support Is on The Way." because any field soldier know that helicopter are the main transport vehicle for delivering, supplies, mail, equipment, moving troops back and forth, from the rear to the battlefield.
Written by Stephen J. Vattimo
Hello All, Hope everyone is keeping well......I started another ' Lockdown' doodle this week. Working on Mixed Media paper with Pen & Ink and Aqua spectrum Noir pens. The Spectrum pens are really chunky and take a while to get used to handling , but they are very useful for colour blocking larger areas and the colours are intense. I've been using these all year now and love them. The Flamingo Garden Doodle , I turned into a repeat pattern for my collection of Printed Ladies accessories for my new website which I'm working hard on and hoping to Launch very soon. :-)
For our 10th anniversary this past Monday, we went on a hike at Land's End. It was cold and blustery! Got a quick sketch in from the labyrinth. Rain lines added as it started to rain by my son.
Once, my parents and I visited the zoo, I came here very often because my parents let me go out every weekend, as well as to let them relieve the stress at work. Every time I come, I visit the king of the forest. Its body is also very large, it is short, not as tall as zebras or antelopes, but on the movie channel we see that it can catch those horses. Why so? It is because they are so fast even though they are short that it does not become the tiger's limitation. Its whole body is covered with a beautiful plumage of black and orange, which looks very beautiful. The color scheme on that body is also very delicate. In places like: the neck, inside the legs… there are beautiful white hairs that look like cotton cream that I'm holding.Its fangs are very sharp like large, sharp needles. Every time people feed it, those sharp teeth come out looking really scary. It used those jaws to tear raw meat into pieces. The tiger's paws have very sharp claws, the very paws that help it grab food. I like it because it is a powerful and powerful animal. It is that curiosity that helps me get closer to it and see it in every position. And the weekend comes to see how it grows bigger and stronger.
I was assigned in art class to draw/paint/whatever something to do with reset... at first I, just like everyone else, pictured a reset button. After some thinking though, I remembered how each time my family moved from state to state, it was like I had a reset button, a fresh new start. Also, haha fun fact, the random sharpie lines were a result from listening to fast pace rock.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
