A few years ago, I followed a Mooc about game design et so, I created a character named Will, a little spirit able to change his appearance depending of the pumpkin he possess.
So, he could become intangible (the ghost), fly really high (the bat), climb and manipulate object (the cat) and bowl over obstacles (the wolf).
So for last Halloween, I decided to redraw them for a fake video game screen.
Tadah!
To see the video version with sound and effect, go there https://youtu.be/JLq0vJM6L2w
Il y a quelques années, j’avais participé à un MOOC sur le game design et j’avais ainsi créé le personnage de Will, un petit esprit capable de changer d’apparence selon les citrouilles qu’il possédait.
Il pouvait ainsi être intangible (le fantôme), voler très haut (la chauve-souris), escalader et manipuler des objets (le chat) et défoncer des obstacles (le loup)
Du coup, pour Halloween, j’ai voulu les redessiner pour un faux écran de jeux vidéos.
Tadam!
Pour voir la version vidéo, allez ici ! https://youtu.be/JLq0vJM6L2w
Ahh, final day of Inktober...and for the word ripe, I couldn’t help but think of signs of spring/summer returning to the land of Westeros after everything...everything!! The battle with the Night King is over and so is the battle for the Iron Throne. All over Westeros including The North, including Winterfell is ripe for life to return to normal again. *I have already completed the entire Inktober- you can check it out on my IG account: @dittofunkysketch123 :D
Medium: Ink on Sketch Book Paper
Size: 15” x 25”
Year: 10/04/2019
This Illustration is my Pumpkin carve design for the Great Pumpkin Carve, sponsored by The Chad’s Ford Pa. Historical Society.
I have been participating in this event since 2006.
I designed this picture to illustrate the human heart toward God.
Understanding the symbolism in the design
Human heart: A Fortress
God’s Communion with Man Kind: Irish trinity flowers, with the crown, cross, dove
God the Father, God the Son, God the Holy Spirit
The two doors: the diverse ways mankind communes with God.
The door with the thorny flower design: A religious person who live with out power. They refuse to allow God to sit on the throne in their lives.
The door with the Grape Vine design: A follower of Jesus, who summit their lives to God’s lordship.
John 15:5 New King James Version (NKJV)
5 “I am the vine, you are the branches. He who abides in Me, and I in him, bears much fruit; for without Me you can do nothing.
Stephen J. Vattimo 10/04/2019
This is chucky I am terrified of it but it was an challenge this is my first time here so I am learning the ropes so I have no clue what I am doing but this gave me major chills while making it
Didn't get a chance to finish the piece I wanted to for today's Inktober. I decided to finish up an old piece that I have had sitting around for awhile. Just some quick shading. Will hopefully be able to finish my other drawing tomorrow.
Every working day, I post what I call a #legobiscuit to my Instagram here: instagram.com/legotrip
The best of these eventually get the full Photoshop treatment.
Polyamory is Great! Until One Person Gets the Flu. I once posted this to the polyamorous subreddit and they nearly died from amusement.
Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
