Soluto is Princess Neera Veera's archnemesis,just like how Qasaherim is Elvarelyn's archnemesis.He is a fire demon warlord who has an army of his own to destroy anything and anyone on his path mostly weaker demons since he cannot fight stronger,more dangerous demons because that would result in not only his armys elimination but his.He is not terrifying,vile or deadly like a lot of demon warlords because 1.he be defeated easily and 2.he is moody and skittish and 3.he has only killed a few demons.Snidecious and him are very alike,even though snide doesn't want anything to do with him.Soluto Ignis literally means fire warlord in Latin thus why I named him as such.He was difficult to color since I have never colored fire digitally I even tried to search for character speedpaints similar to Soluto's design to get an idea on how to color him but nothing helped however what did help me was looking for similar character designs on google images and getting not only an idea how I colored him but inspiration too.
Despite appearing in only one episode,I really love her design and personality.I simplified her appearance to make her look very different from the original art style.i drew her because there aren't many goth characters who aren't outspoken,rebellious and brash which instantly made her my one of my favorite As told by ginger characters
Mighty satellites crashed to Earth. Oceans swallowed up the lands. The World became new . Planet Earth became Illoniri . The people who were not crushed, tried their best to survive, and they did . But what was that like? Living in a world where everything has been taken from you ? Everything but your own life ? No communication, except with the people right next to you. Your own friends and family mutating and changing before your very eyes. Imagine ... gaining magical powers, riding strange and fantastic beasts, forging your own destiny from the ruins of the old world. Exploring the world you thought you knew. A beautiful and pure and young world, born of the ashes of the old one . What will we do to protect this new Earth? What lengths will we go to ? How can we keep our Mother Illoniri safe from evil ? I will fight . We all must fight. We cannot chance our world to be destroyed a second time. But maybe... maybe we don't have to fight? Maybe the reason Earth died and became Illoniri is because all we ever do is fight ? Is the answer so simple? Have humility and understanding, and we may all live? Keeping peace is easier said than done . Maybe we all just need to be kind and our Illoniri will be saved? Only time will tell... Until there is peace, we venture onward. Ever onward, my Untitled Heroes. Ever.
I forgot that this prompt was for last week, but I figured I'd upload this anyway. It's definitely a simple drawing; I think it turned out pretty okay. I rarely use markers and I don't usually draw mythical creatures/aliens, so this was pretty interesting to do.
Inspired by a drawing challenge to draw two objects based on the first letters of your first and last name. I thought a chameleon and labrador would be fun to draw together, because it reminds me of the friendship that forms when an extrovert adopts an introvert ^_^ This is my first digital drawing that I tried without using line art. It was challenging to get the hang of, but I like the bright and simple effect of it.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Read an article that Gill's Ice Cream is closing, here's an old sketch in front of it at The Original Farmers Market. Los Angeles has a weird habit of destroying the real thing to put in a facsimile of the same thing, but without the tradition, charm or h
Another sketch from Austria during the Nomadic Village in the first location with our Gallery on Wheels and other beautiful vans and buses!
Austrian mountains are simply beautiful !! :) enjoy
Three trunks rising from one root, steady and separate yet belonging. The little bush at their base reminds me that life gathers in layers—quiet companions at the feet of giants. A simple contour line holds it all, the way a moment holds both strength and tenderness.
Sometimes, a good goodbye is also a fresh hello.
As we wrapped up our "Sacred Spaces" paintings, I asked our student teacher to design a one-day project—something playful, earthy, and engaging to ease the class into her care. She brought mud. Literally.
Using mud and simple stencils, students pressed images—flowers, insects, wings—onto the sidewalk behind our school. There's something timeless about making marks with the ground itself. It felt ancient and immediate at the same time.
These prints won’t last long, but maybe that’s the point. A fleeting image, a shared laugh, a new hand guiding the next phase of learning.
Art is about making marks. Not all of them need to be permanent.
Behold the Chair
(inspired by Wendell Berry)
Make a place to sit down.
Sit down. Be quiet.
The chair does not strive.
It does not speak loudly.
It simply is—
ready to receive,
to hold what comes,
to honor the silence.
This drawing does not shout.
It listens.
It does not disturb the quiet—
it joins it.
Like a prayer whispered
to the One who listens back,
this mark is a presence,
not a performance.
Bob the Drag Queen is a legendary performer and personality. She is one of my favorite people. I kept the composition simple to focus on shading and facial dimensions. I paid close attention to not lightening her skin tone and respecting her heritage but also contrasting the gold dress and blue background.
