Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Like smoke, the line finishes as soon as it began. There is no room for any colour shapes, or anything else to be done to it; any additions would disturb the coherent of the flow. Contrast, balance and flow all met there. Art simply surfaced at that very moment and left a trace. This very line represents 3 decades of work!
This is a simple portrail of a common person, not the appearance of a person, the Innerworkings of a person. Their dark side. We all have a dark side.. Some are just more controlled by it than others.
For day 16 of Junefairytale, today is a hero's turn.
For this day, I decided to draw one of the Super Moshi characters, but not just a simple hero, but Hermitty Ginger (by the way, I also tried to draw what Katsuma's modern design would look like with the Super Moshi outfit),
our companion in mission 6 of season 1, but I didn't want to draw him alone, so I also included him with Penny
My Bitcoin wallet was compromised in a single, catastrophic transaction, resulting in the irrevocable loss of my Ethereum and Bitcoin holdings. The moment I grasped the magnitude of what had transpired, I was engulfed in a torrent of disbelief and despair. With approximately $525,000 vanished in an instant, I felt utterly adrift and uncertain about my next steps. I reached out to various Bitcoin support teams, but my efforts were met with silence, leaving me feeling abandoned in a labyrinth of confusion. I even ventured to my local police station to file a report regarding the theft, but unfortunately, the officers explained that cryptocurrency-related crimes often fall outside their jurisdiction. As I stood there, grappling with frustration and helplessness, a kind woman approached me. Sensing my distress, she handed me a note with an email address for Lee Ultimate Hacker, claiming that this recovery company could potentially help me reclaim my lost funds.I decided to reach out to Lee Ultimate Hacker using the email address she provided Leeultimatehacker@aol.com
. I meticulously detailed my situation and submitted all the requisite documentation concerning my cryptocurrency holdings and the theft. To my astonishment, I received a response from Lee Ultimate Hacker within a mere 48 hours. They informed me that they had successfully traced my lost funds and identified the perpetrators responsible for the theft. This revelation was a beacon of hope in an otherwise bleak and disheartening situation. This taught me that while the world of cryptocurrency can be fraught with challenges and risks, it is indeed possible to recover lost funds if you connect with the right professionals, like those at Lee Ultimate Hacker, and adhere to the appropriate procedures. I learned the paramount importance of acting swiftly and seeking assistance from specialists who understand the intricacies of cryptocurrency recovery. Although the journey was riddled with anxiety and uncertainty, I am profoundly grateful for the support I received from Lee Ultimate Hacker. My story serves as a poignant reminder that even in the face of significant loss, there are avenues for recovery and support. I hope that by sharing this, others who find themselves in similar predicaments will realize they are not alone and that help is indeed available through dedicated services like Lee Ultimate Hacker
Suddenly the light goes out and staying in the dark is a test of resistance, but when everything seems lost, it turns on again, so simply: sometimes a single attempt isn't enough, there are many moments to spend without light, but you don't have to be afraid of it, because sooner or later we will succeed in the undertaking and it will make you smile as the thing that seemed so difficult came spontaneously, it was enough not to force the process.
I hate the darkness because it shows me a version of myself that I would never want to meet, yet if I accept that the punches of life in some periods are stronger than others, sometimes leaving bruises and burns, but that life itself has granted me caresses like this sweets that I would not have appreciated without going through pain, then everything around me will seem golden. I can only appreciate the hatred and wonder of it.
I can feel those caresses, I can savor them with the same intensity with which I feel the pain of the punches, because ultimately they give so much: the strength to take another step, to not give up right now, right now that I am so close to feeling them in my heart those precious caresses.
We are presenting Wikipedia logo redesign dummy Project.
We created It 1. Appropriate 2. Distinctive 3. Simple
The concept behind the logo
We presented the world as a circle and a rectangle are representing articles and doors for information.
Need a logo design? Email
evenflowstudio@gmail.com
Here is a fun illustration I made of the Mad Titan himself. I used Clip Studio Paint and my own custom brushes.
This was meant to be kind of a dumb, simple drawing, but I think I added too much in the color and detail. Well, it looks cool anyway, I guess. The gems were fun to do, anyway.
You can follow my tumblr for more artwork, works in progress, and other content.
sykografix.tumblr.com/
Watch my streams here!
www.twitch.tv/ninjatron/
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
As a former intelligence officer, I thought I knew everything about security. My job was all about protecting classified information, so when it came to my Bitcoin wallet, I went all in. I created a password so complex, it was virtually unbreakable. At first, I laughed it off surely I’d remember eventually. But try after try, nothing worked. That’s when the horror set in. I had locked myself out of my own wallet. My $1 million was sitting there, completely untouched… and completely unreachable. I felt embarrassed, frustrated, and desperate. That’s when I came across *CRYPTO RECOVERY CONSULTANT*. Honestly, I didn’t have high hopes. I assumed I was out of luck. But from the moment we spoke, they treated my case seriously like a high level op. No judgment, just focus and professionalism. They explained their method clearly and assured me it wouldn’t risk my funds. It wasn’t fast or easy there were delays and doubts but they stayed committed. And finally, they did it. They recovered my wallet. The relief I felt was beyond words. It wasn’t just about the money it was about redemption. I hadn’t lost everything after all. The biggest lesson? Sometimes, simple is smarter. I had tried to outsmart potential threats and ended up being the threat myself. Security doesn’t have to be complicated to be effective.If you ever find yourself locked out, don’t give up. I trusted CRYPTO RECOVERY CONSULTANT, and they brought me back from the brink. For that, I’ll always be grateful.WhatsApp: +19842580430 cryptorecoveryconsultant :@: cash4u com
A whimsical hand-drawn sketch features a hand holding a phone, with the message "This is so much fun" prominently displayed on the screen. The drawing is done in a simple, childlike style with colored pencils, conveying a sense of lightheartedness and joy.
An old sketch of St. Christopher I did that I just penned in and colored today. ^_^ Very simple and it's very tiny but kinda cute huh? (It's not even as big as my thumb) :P #Catholic, #Christopher, #St.Christopher, #Jesus, #ChildJesus
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
