Jean-Paul Sartre (1905–1980)
By the 1950s, too much work on too little sleep—with too much wine and cigarettes—had left Sartre exhausted and on the verge of collapse. Rather than slow down, however, he turned to Corydrane, a mix of amphetamine and aspirin then fashionable among Parisian students, intellectuals, and artists (and legal in France until 1971, when it was declared toxic and taken off the market). The prescribed dose was one or two tablets in the morning and at noon. Sartre took twenty a day, beginning with his morning coffee and slowly chewing one pill after another as he worked. For each tablet, he could produce a page or two of his second major philosophical work, The Critique of Dialectical Reason.
The biographer Annie Cohen-Solal reports, “His diet over a period of twenty-four hours included two packs of cigarettes and several pipes stuffed with black tobacco, more than a quart of alcohol—wine, beer, vodka, whisky, and so on—two hundred milligrams of amphetamines, fifteen grams of aspirin, several grams of barbiturates, plus coffee, tea, rich meals.”
- From Daily Rituals: How Artists Work by Mason Currey
#dailyrituals #inktober #jeanPaulSartre @masoncurrey
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
Sketchbook #11.
Since the 100heads challenge was real tiresome for me, I devised myself another challenge - "50 heads". Basically it's a "100 heads challenge", but for lazy people) The rules are simple: I had to draw 10 two-page spreads of 5 heads, no time limit, no nothing. And I decided to use different materials for each spread.
Spread #1 - ballpoint pen (+ a little bit of watercolour) - NEMOPHILA.
I've always found it so Satisfying to draw Dragons! I love dragons, whether it's for a personal project or a clean wok, Dragons are the subject I enjoy the most and love to explore in so many ways ♥
This was an illustration for a Traditional Action Gamepad with its big buttons, this work is so old, and I improved a lot after it, but its simplicity remains lovely to me and maybe I will remake it with my improvement level right now and make a comparison.
(Gel Fineliner on A5 Paper) A simple drawing to show how iconic zombies have become, and how they're lazily added to anything these days - Just like chips.
#22 [Hades (the game) 2024] - This would be considered fanart if I was a fan, but I have never played the game. I realize there is no Hades 3, this is just for pretend-fun. Since I don't know the story and characters of the game I decided to make up three of my own. [Sketched & inked everything using an iPad pro & magma software, drawn live, no ai.]
Pun play to encourage positive body image. Freckles, moles, skin tags. Love them or hate them, they are part of our body. As one who enjoys stargazing, I think that the dots on our body resembles stars in the night sky. Truly beautiful. Sometimes when I’m bored, I play connect the dots on my limbs, and they do resemble constellations.
