24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
A sketch recalling an era when smoking indoors after a meal was commonplace—a fleeting pause of stillness before continuing the journey ahead. Done with mechanical pencil on scrap printer paper.
A late Christmas edition, but I suppose it's fine because it's still Christmastide. And according to the story, the wise men didn't actually arrive at the time of Jesus's birth so the lateness has some historical basis.
This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.
Meadhbh stretching after a long pose.
Sketchbook work from November 2025
2025, Ballpoint Pens on 5” x 8” (10” x 8” Double page spread) Sketchbook, Adobe Photoshop
This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)
This is another dragon. They're the Bringer of Great Destiny, and basically tell you you're destined for good things. It was designed by my sibling, and this is a redesign I made. Sorry that it's hard to see. My camera is bad and my house is dark.
Ps i hadn't drawn Cleetus from flamingo on their own in an while was his commission pt 2 i drew 1 month ago in the sneezy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz
Ps i hadn't drawn Cleetus from flamingo on their own in an while was his 35th bday in the sneexy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz
