From a snap of me sitting in the waiting room. Pencil, Charcoal Pencil, Pastel Pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
The source reference image was from an impromptu photo shoot I did several years ago. The available light in the room was magical and the model was just sitting there meditating.
Pencil, Charcoal Pencil, Pastel Pencils on 9” x 12” Strathmore Archival Sketchbook Paper.
” Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul to waste ”
I have had an idea for a long time to illustrate Sympathy for the Devil from Rolling Stones.
This start from free sketching of cloud looking lines and soon i realise they look like atom bomb cloud. Original idea was more landscape version but maybe later.
Meadhbh standing in front of a green wall. Simplified her hair and the leaves in the background a bit. Charcoal and pastel pencils on 9” x 12” Strathmore archival sketchbook paper, scanned into Photoshop. Model: Meadhbh
Thirty-five minute sketch of a petrified A&W ketchup packet I found inside my fridge. This thing is the rock-hard evidence of my frequently poor late night diet choices.
A drawing that turned out better than I expected. Two hour seated pose.
Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.
Taken me a while to finish this one - not feeling very focused lately. Also, I restricted myself to using Bic’s yellow ink, which is way more vibrant than the cheap 10-colour ink click pens that I usually use.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.