“bleedin’ me dry like a thirsty vampire” “and I know we weren’t perfect but I’ve never felt this way for no one” “social suicide” “I wanna kiss his face with an uppercut!”
I told myself, weeks ago that i would be post two or three times a week but here I am posting after a month of nothing. I have been painting alot more, but i finally completed something and am ready to post it. I decided flowers because i like flowers. I did a life vs. death kind of thing. I was hesitant about painting these because i was thinking to myself do i like flowers because i like them or because im a women and society norms tell me to? I know it sounds stupid but its these kind of thoughts that stop me from doing things i enjoy or want to do in life.
Thoughts?
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
102 years ago, another pandemic raged across the globe. My latest comic is all about what we can learn from the 1918 “Spanish Flu” (written by Sarah Mirk + Eleri Harris). Check out the rest of the story on The Nib! thenib.com/1918-spanish-flu
Now that I am stuck at home and practicing social distancing, I finally drew on the postcard I've held onto since joining Doodlers' Anonymous A WHILE ago. :)
I have had an ongoing project called Hybrid Mythologies. Inspired by stories and mythological creatures, tales from different traditions and parts of the world, I have been playing with emergent stories, characters and creatures that incorporate different elements. It is really a kind of spontaneous, intuitive journey and play of associations - oftentimes surprising to myself in what emerges. This year I am planning to publish an artbook entitled Hybrid Mythologies and if it all goes according to plan, it should be done some time in May. I will post process from this book.
13 young, Indian adults, struggling with mental health issues, explained what colour represented her/his fear and which represented hope/happiness. The left half of the face has all the colours associated with fear, while the right shows hope/happiness.
This week’s been an interesting one for socialising in my world, no denying it. If I’m not getting acquainted with new folks at work or at my art clubs, it’s reconnecting with people I haven’t seen in 20+ years… certainly informed today’s piece, without a doubt!
Ms. Nathan was a play production teacher with flair and a big personality. She wore colorful clothing and loud socks that never matched. Her joyful, chortling laugh filled the room—or the hallway—wherever she happened to be.
Staff meetings and PD days have always been strong invitations for observational drawings. Over the years, I’ve found that there are many boxes to check in a wide variety of systems. I often created my own boxes—and checked them with sketches of my colleagues.
This one goes out to the colorful Ms. Nathan.
The story behind this is that when my little sister and I were kids, we invented a game called Blammer. You duct tape small trashcans to your back and try to slam a sock ball into your opponents basket. We used tennis rackets for defense. We used to terrorize our parents with all the running and yelling in the house. We're in our 30's now and try and play when we see each other. I call her Chicken and she calls me Ducky. Which is why we're are riding birds. One of my favorite pieces I've ever done. A birthday present for her.
Take it how you want. You either give everything to social media, or it takes everything from you. In the end, you are left naked and hollow. I wanted to make this a simple composition at its core. The image is more about the message.
Times Square took forever to put together, I think the perspective is off just a bit. Overall, I think I did well with shading and depth. I am also improving on drawing/painting the human form. I wish I could trust in shapes and form and go a bit more abstract, but I think that will come with experience.
As far as things that I can’t seem to shake off are concerned, it’s this fact that a place like Edinburgh where I live is akin to a village where everyone (artist folk in particular) seems to know everyone, and the patterns or quirks that emerge from this said thought process. In most collectives I’m a part of and/or are associated with, there’s what seems like an endless sense of crossover and overlap with fellow artists etc for lack of better words, which is lovely as it is insane... you know? All in all though, even if it drives me mad it does so in a strangely positive way and I’ve learned to live with that. So yeah, make of that what you will. :-)
It totally bypassed my mind that last night I would be off to see Gary Numan with my uncle. The perks of having both an over-active work life and a social one too...
I keep seeing the word 'binary' crop up a lot in various discourses I’ve caught a glance at recently, whether it pertains to discussions around things like cancel culture or countless other things too numerous to mention. Funny what the lack of a middle ground these days does to certain people, irrespective of their political/ethical viewpoints...
At the end of all this self-isolation, I have no doubt folks will be as hungry as that Dalmatian pupper I named this piece after. Hungry for some actual social interaction in our cases, that is...
April 7th is my birthday. The day has been usually a low-key affair, with exceptions here and there over the years. I spent it keeping busy and creative, as is custom most days whenever I'm not out working or socialising. Roll on 27!
Mixed media. Acrylic, pencil, digital. This is a piece from the book “Mail Me Art - Medium Without A Message” by @littlechimpsociety. I think it was the second call for entries/book.There are now 4 books filled with awesome art drawn and painted on outsides of envelopes and packages by artists all over the world who then mailed them to the UK totally exposed to the postal service. The original was all analog. I brought this into Procreate and reworked it. I may do more when I get a chance but I’m pretty satisfied with it now.
