Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Pencil on Paper. Doing portraits is difficult for me...I never seem to be able to capture a persons likeness in a drawing, however if that person is wearing a helmet...
Oh how I miss using watercolour again! Been awhile since the last time I used this medium because now I draw with digital technique more often than the traditional ones.
Remake : Francis Bacon – autoportrait
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
A3 format, acrylic, felt pen, colored pencils
Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.
Drawn with papermate inkjoy gel pens. For custom commissions reach out to art.by.alisonlove@gmail.com, and check out my facebook page (facebook.com/artbyalisonlove) and society6 shop (society6.com/artbyalisonlove
Let the sun pamper the leaves, let the rain wash off the love,then the winter will wrap you in.Such is life and love and pain".-Sanah Rizvi #aristina.z #originals #digital art #autodesk sketchbook
Another wobbly neighborhood. Focusing on color and composition and leaving behind perfect perfective and detail. Ultimately, putting fun first in my personal work moving forward.
Watercolor and India Ink on Yupo paper. If there is any single way to let go of detail and think simply, it is by using watercolor on Yupo paper. You basically have to surrender control and just see what happens.
"Sometimes everything seems so far away. Sometimes even breathing is hard."
thes
-
0.3mm led, white led, eraser
-
Videos:
https://www.youtube.com/apricotjams
https://www.instagram.com/_apricotjams
-
Podcast:
https://www.apricotjamspodcast.com
Available Everywhere
-
Business Inquiries & Paypal Donation:
apricotjamspodcast@gmail.com
Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.
