"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?
My first ballpoint pen person. This was a lot more time consuming than I expected, but I'm glad I hung in there and finally finished it. The reference for the drawing was a Getty Image.
"And I Can't Get It Out of My Head"
Watercolor
I feel like I may be cheating since the song I was inspired by is not so simple, but I'm pleased with the result. To be completely honest, this was the piece I needed right now.
The past week has been interesting for me, I've found myself in a peculiar slump. There's not one thing I'm thinking or worrying about, it's a constant buzz of thoughts streaming through my head. Sometimes I can get the buzzing to quiet down, other times it gets overwhelmingly loud.
I've always found art to be a release, it fills in the blanks when I can't figure out how to make my words work. Lately, it's been more of a challenge than usual, but I think this piece says all I've been wanting to say.
Drew this for a professor that mentored me on my first research paper! You can also find me on facebook www.facebook.com/sonialaiart for WIP and updates!
Let the sun pamper the leaves, let the rain wash off the love,then the winter will wrap you in.Such is life and love and pain".-Sanah Rizvi #aristina.z #originals #digital art #autodesk sketchbook
This piece was done with watercolour crayons, crayons, fineliner, acrylic paint and a touch of posca. I was showing that love can be blind and sometimes almost arrogant and selfish, the arrow has hit the spot on the second attempt but the scars are still to be seen. Although the person playing cupid aint always an outside force. I enjoy playing with the titles and am constantly changing and thinking of what it will be called when doing the piece, but i do like my wordplay. this one was a play on horticulture and felt it all tied in to the final design :))
This is available as an a3 sized print.
BIC ballpoint stick pen drawing on Richeson bulk drawing paper. This started as a contour drawing and just got squiggly (not the original intent). This was clipped to my board for weeks and I would add a few squiggles from time to time when I wanted to make marks, but didn't have inspiration. It's just a bit under 15 inches (12x18 inch paper) and is probably about 25 hours of making little lines and squiggles. The reference was a Dreamstime royalty-free photo.
Old drawing that I had contributed to a charity art book for Japanese tsunami relief efforts. Feel free to follow my facebook for additional updates! http://www.facebook.com/sonialaiart
Overview:
The title of this piece is directly inspired by the lyrics of the song "Rabbit In Your Headlights" by UNKLE. I liked the fact that I shook the static sensation of this shot using some vibrant colours and decoration. The subjects seems to be frozen in time, waiting for someone that will save them.
Maia, one of two current German Shepherds was born here at our house ten years ago. She is a grand old lady with a big ears, a big ruff and a sweet personality. This drawing was done from a photo reference AND her sleeping at my feet. I used Pigma Micron Pens in black and brown with a little graphite smudging to add a bit of shadow.
An article/rant/annotation to an illustration. A #Hackney bar and its flies.
This picture is not as sad and blue as it might at first seem, I promise.
It is early in the week and the pub becomes the territory of the most outspoken drinkers. Raised somewhere between Churchill and Harold MacMillan, a night such as this is time for them to spin out a yarn of nostalgic fantasy. Encouraged by the lack of a crowd and with space to fill, statements start to fly.
In the opening rounds the barman athletically hits back with factual blocks and reality-check haymakers; statistics and personal experiences are given. Two histories cross examined, one where 1982 means Thatcher and the Falklands, the other renders Reagan and the AIDS crisis. Stoicism and national pride vs mental health and realism.
In the latter rounds the barman is fatigued, swaying on the backbar, glasses begin to stack up as form begins to drop. The older men seem stronger than ever.
The barflies come in close now, they scrutinise his generations work ethic and make wild political comments on poverty, immigrants and the minimum wage.
The barman is close to sheer bloody despair, he maintains his defence and focuses on breathing while maintaining his professional stance.
But at the end of the night the barman knows HE will ring that bell, they will politely leave and they will return again in a week and maybe, just maybe there will be a change, common ground or maybe at least polite silence.
But what these interactions have given despite the salt in the eye is community and an exchange between generations, culture and class of those participating. No home is ever straight forward, no relative without their good and bad traits and in a world where we often slide into echo chambers online or in our physical environments, the pub is still a place where society is family, face to face, pint to pint. Or maybe it's just a room with alcohol on tap?
A transmundane Tuesday prompt by Carson Ellis (with a serpent tail, in a hat, smoking a pipe). https://www.instagram.com/p/B8NSotBh5I2/?utm_source=ig_web_copy_link
Over a year ago, I finished my Robin Williams portrait, and I decided I wanted to create a series of different black and white portraits. So far, this is the happiest I've been with a piece in a while. There's no expectation, there's no real pressure on this, it's me falling in love with painting again. I've only been working on this for a week, so there isn't a ton of progress. I suppose I'll reveal who the person is later once more progress is made but for now, enjoy.
