I kept my eyes on it the whole time. Now it was moving so slowly that you couldn't really see whether it was coming towards you or not. Occasionally its shape changed just slightly and its black tummy swept over the concrete floor. I could hardly breathe. I knew that I ought to run away and hide bur I just couldn't. Now it moved diagonally again towards the wall and wasn't to be seen any longer. It was in the pile of junk behind the modelling stand, it was somewhere behind the sacks of plaster and might appear again just anywhere.
It was getting dark in the studio. I knew that it was me who had let the creature out and I couldn't capture it and lock it up again.
- Sculptor's Daughter by Tove Jansson
Tada! An art piece of @xavtheidiot 's character, Zane! Hope you like it! I did the cheeks in my own kind of style, as well as the hair. Hope you don't mind. Kept her in the original outfit, too. The reason it took so long is because I am both plagued with school and an ongoing existential crisis.
A detailed hand-drawn ink and wash illustration featuring two majestic dogs that look like statues perched above a historic gothic cathedral. This piece captures the timeless atmosphere of old European streets, blending architectural precision with the organic soul of a loyal companion cast in stone. Perfect for fans of urban sketching, dark academia, and classical monument art.
So I worked on this, using an older pic I drew from a few years ago, and am honestly happy with the results. this has got to be one of my most favorite DIGITAL drawings I've done. God be with you and guide you on your own drawings with your own talents.
"She stopped to speak to him, altering her mind, and went on her way."
Trying to learn more about Kay Nielsen's style. He illustrated folk and fairy tales in the early 1900s for Grimm and Disney and others. I love his dark/moody style with everything so flowy, elongated, elegant, and tragic. And his amazing compositions.
One of my Swirly Designs, illustrated with different tools such as Graphite, Aquarelle, Ink Pens and Ai & Tablet. Sometimes sheer Vectorillustration/design.
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Copyright by Carolina Matthes
This painting illustrates a man who finds safety from drowning in a stormy sea by
climbing on to a platform in shape of a cross.
The storm itself represents the trial we face in life. The shipwrecked person shows that
we have nothing we can approach God with that would sway Him to help us when we
call on Him for help.
Only out of grace and mercy does He rescue us. The platform in the shape of the cross
represents that God has provided a way for man to escape punishment for his sins,
which would have been casting him into the lake of fire after death.
Through God’s love and mercy, He punished Jesus for man’s sin; the guiltless Son of
God was punished so that the guilty sinful humans could be saved through faith.
The step represents man’s need to come to God humbly through Jesus to receive anything from God. The light breaking through the clouds represents God hearing the
man’s prayer and answering it.
(October 28, 2017)
I have been doing this challenge for 31 days honestly I thought that I wasn’t going to do it because I set goals for myself before and I never really went through and achieved them but I have had so much time to myself during this pandemic during these past two years that I feel like I should’ve been doing something but never did and I just didn’t want another year pass and not doing anything and which is the whole reason I have been doing this challenge 31 days wasn’t that bad and I hope to keep on going for the next 334 days I think getting to 100 will be a big milestone for me that would be something to celebrate
Pen and Ink of Harvey Pekar, writer for underground comix and notorious guest on David Letterman Show. An original fellow with a movie made about him called "American Splendor".
Here is a painting I made from observation on the top of Mont Bélair in Canada, just before sunset.
I am painting those in a 5x8 very convenient moleskin watercolor book. I previously eyeballed the dimensions of this book at 4x6 when I had no ruler to verify but I was slightly wrong. Now the info is exact. :)