I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Clio is a limited production, quite difficult to obtain, premium Spanish Red. I had the pleasure of visiting the vineyard many years ago and, while there, managed to take one photo of a particularly gnarly vine. This is at best only a very unreasonable facsimile.
Whenever I’m channel surfing, I often find myself stumbling into a film midway through it’s running time, and tend to stick around if there’s elements that pique my curiosity and just catch my eye etc. My Girl 2, of all films, was one of them this time around.
A line about “barbaric customs” or roundabouts prompted me to pick up my drawing kit...and here we are!
When you find a mondegreen in one of your favourite Magnetic Fields songs and it sets off your creativity...
Can’t be only one mishearing things here? Stephin Merritt sure knew how to mumble back in the ‘90s, that’s for certain: https://youtu.be/UGNKhVJbDM8
Sewing paper is lots of fun. Taking a lot of my cats and sewing them to pretty paper. Not sure what I will do with them after that, but they are fun to make.
A vibrant, hand-drawn marker illustration featuring a rustic wooden cabin perched on the edge of a tranquil lake. The foreground is filled with glowing green lily pads, leading the eye toward rolling green mountains under a bright, cloudy sky. This piece captures the essence of a peaceful summer escape and the beauty of lakeside living.
Not sure what to say about this one. I like it. As many of you can probably see, I've been trying a more pixel-art-style technique lately. I use this program called Kleki--it's pretty cool. Also, I need a name for the grey creature.
"A dark man went on shovelling outside the door and all of a sudden I started to cry and I screamed: I'll bite him! I'll go outside and bite him!
I shouldn't do that, Mummy said. He wouldn't under-stand. She screwed the top on to the bottle of Indian ink and said: what about going home?
Yes, I said.
So we went home."
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
