I have been lucky enough to have the opportunity to paint a design on a rather large gorilla! I am so excited to do this. It's taking an age but getting there slowly. When he's all done he will be going on show at Paignton Zoo.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Lino cut print over pastel. The story goes: The bird fell in love with the whale the first time she saw him break through the ocean’s surface, sunlight dancing on his back. From high above, she sang to him, and deep below, he answered with a song as old as the tides.
She longed to dive, to join him in the rolling blue. He wished to rise, to fly beside her in the endless sky. But air and water would not trade places.
So each day, at dawn and dusk, they met at the edge of their worlds—she on the wind, he in the waves—singing a love song carried by the breeze and the tide, never together but never apart.
Acrylic painting, made this while thinking about lighting bugs dancing on the waters surface and fish jumping out of the water trying to catch them during a full moon. It was a good memory; fishing on the lake at night.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Whenever I’m channel surfing, I often find myself stumbling into a film midway through it’s running time, and tend to stick around if there’s elements that pique my curiosity and just catch my eye etc. My Girl 2, of all films, was one of them this time around.
A line about “barbaric customs” or roundabouts prompted me to pick up my drawing kit...and here we are!
