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tan

Al Va Al Va
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Outstanding

Weeeee just a little doodle :3

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Avery Franken Avery Franken
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Arlo Parks 1

This is one of my favourite artists, Arlo Parks. I‘ve started up with my portraits again since social distancing, and she was the first one waiting in the queue since the summer  :)

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Helen KITCHEN Helen KITCHEN
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Birthday Doodles
1/5

I've been trying to stay in touch with my family and friends whilst we are all social distancing. Birthdays still come and go, so I've been sending my cards to them over social media.These doodles have been adapted in paintshop pro to add text and a bit if glamour..hope you like them....stay safe everyone

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Dietrich Adonis Dietrich Adonis
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March Of ROBOTS: Substance

Inside an Android

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bibi bibi
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Manhattan With Empire And Chrysler

MIXED MEDIA PAINTING ON CANVAS OF NEW YORK CITY CITYSCAPES AND ITS BEAUTIFUL LANDMARKS BUILDING

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Valériane Duvivier Valériane Duvivier
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Will OWisp

A few years ago, I followed a Mooc about game design et so, I created a character named Will, a little spirit able to change his appearance depending of the pumpkin he possess. So, he could become intangible (the ghost), fly really high (the bat), climb and manipulate object (the cat) and bowl over obstacles (the wolf). So for last Halloween, I decided to redraw them for a fake video game screen. Tadah! To see the video version with sound and effect, go there https://youtu.be/JLq0vJM6L2w Il y a quelques années, j’avais participé à un MOOC sur le game design et j’avais ainsi créé le personnage de Will, un petit esprit capable de changer d’apparence selon les citrouilles qu’il possédait. Il pouvait ainsi être intangible (le fantôme), voler très haut (la chauve-souris), escalader et manipuler des objets (le chat) et défoncer des obstacles (le loup) Du coup, pour Halloween, j’ai voulu les redessiner pour un faux écran de jeux vidéos. Tadam! Pour voir la version vidéo, allez ici ! https://youtu.be/JLq0vJM6L2w

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Stephen Stephen
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The Heart

Medium: Ink on Sketch Book Paper Size: 15” x 25” Year: 10/04/2019 This Illustration is my Pumpkin carve design for the Great Pumpkin Carve, sponsored by The Chad’s Ford Pa. Historical Society. I have been participating in this event since 2006. I designed this picture to illustrate the human heart toward God. Understanding the symbolism in the design Human heart: A Fortress God’s Communion with Man Kind: Irish trinity flowers, with the crown, cross, dove God the Father, God the Son, God the Holy Spirit The two doors: the diverse ways mankind communes with God. The door with the thorny flower design: A religious person who live with out power. They refuse to allow God to sit on the throne in their lives. The door with the Grape Vine design: A follower of Jesus, who summit their lives to God’s lordship. John 15:5 New King James Version (NKJV) 5 “I am the vine, you are the branches. He who abides in Me, and I in him, bears much fruit; for without Me you can do nothing. Stephen J. Vattimo 10/04/2019

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Shaharyar Siddiq Shaharyar Siddiq
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Decode your life as per your perception of Abstract Art.

Life is like abstract Art, live it, love it and try to understand and make full use of it based on your perception

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Laurine de Sélys Laurine de Sélys
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I am All-maudra !

I was like a child when watching the "Dark Crystal age of resistance" show. So mesmerizing. I had to draw right after finishing all the episodes. Seladon's a queen ! [4 September 2019]

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Tony D Tony D
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Started as a cube ..... Follow the red - one plane..

Deceptive doodles using standard geometry & pencils....

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » de la leçon de piano de Pierre-Auguste  Renoir

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » du Richelieu de Philippe de Champaigne

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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Charlie Haggard Charlie Haggard
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Mutant in Red camo

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erik cheung erik cheung
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Disintegration

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

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Holly Holly
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Stars helicopter

This is a piece I drew for my dad. He's an advanced practice nurse on a rescue helicopter.

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Scott Ries Scott Ries
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Standing Lady 2

Pencil Drawing

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Ruby Chow Ruby Chow
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Doggie Puppy Dog

Guess who this is? (A canine who stands and walks like a human)

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Jamie Domingo Jamie Domingo
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Mini GOTs Throne Chair
1/3

On December 2017, after my frineds and I exhanged gifts, we thought "why don't we do it next year?? Valentine's Day!" So in January 2018, we got our picks and our theme was "Something Effort" since it's important in every relationship. Since then I started making this, every day I would add some details. I was lucky to know that the one I picked likes Game of Thrones so there. Made with air dry clay then painted with acrylic paint.

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Ceci Ceci
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Goma

Necesito hacer mas cuerpos, y no tenia tanta idea para hacer una cara, así que todo se unió y listo... un dibujo rápido :P

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Joe Blend Joe Blend
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BEYOND WAVES & THE NOTION OF TIME

© 2018 Joe Blend. All rights reserved. — Artwork was made using a black Sharpie marker, a Ranger white opaque pen, a Precise V5 Rolling Ball extra fine black pen, and a sheet of paper from a Moleskine journal. The piece was then copied in black and white using an HP copier. The artwork is inspired by “Beyond Waves & the Notion of Time,” my blog post about the importance of the journey: http://bit.ly/2Fs0au4.

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Gabriel Xavier Gabriel Xavier
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INKTOBER 2017 - DAY FIVE - DELAY - LONG

Long? Long Hair?

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Volta Voloshin-Smith Volta Voloshin-Smith
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Untitled

Botanical watercolor sketchbook spread.

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Eugenie Smit Eugenie Smit
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Untitled

My brain in a standard minute

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Bklynsketcher Bklynsketcher
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Untitled

Statue I was testing out a different color ink in the Pilot Metropolitan Fountain pen.

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Ronni Rose Swanson Ronni Rose Swanson
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Untitled

Alien Botany from my Idea Emporium Book I'm working on. From the Nursery Department in the Idea Emporium Mall. Different plants picked from different plants around the world.

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Nico Ximenez Nico Ximenez
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Untitled

NOENTIENDO in spanish means "I don't understand"

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Karli Tucker Karli Tucker
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Untitled

Stand with Standing Rock

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Kara Mitchell Kara Mitchell
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Untitled

Bert Hemsworth came across the pond to earn his doctoral degree in botany. Scholars Court immediately felt like home when he settled in apartment 2A 28 years ago. He's still working on his dissertation. But he'll be finishing any day.

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Dietrich Adonis Dietrich Adonis
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Untitled

Quick portrait of an acquaintance. . .

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