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God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather. We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices. - Sculptor's Daughter by Tove Jansson #dailydrawing #tovejansson

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

Breaking Fast reflects a time when lingering was normal—an empty table, a cigarette’s glow, and the calm between what just ended and what comes next.

A4 fine liner, acrylic, gelly plate, imagination

cat uwu ekitten pink

A sketch recalling an era when smoking indoors after a meal was commonplace—a fleeting pause of stillness before continuing the journey ahead. Done with mechanical pencil on scrap printer paper.

A vibrant message encourages personal happiness through bold, swirling letters that read "Make Yourself Happy First".

A late Christmas edition, but I suppose it's fine because it's still Christmastide. And according to the story, the wise men didn't actually arrive at the time of Jesus's birth so the lateness has some historical basis.

I swear I wasn't going to do fan art for Hazbin. But, yet here I a be. I'm not sure when this will be done. I have been feeling....yeah...so this might be a while until its completed.

This feather rests as a symbol of gentle guardianship. Light enough to drift, yet preserved with intention, it speaks to protection without restraint—something watched over, not controlled. It represents care that is quiet, constant, and strong precisely because it does not weigh anything down.

A moment suspended between departure and arrival. Interim explores transition—where movement pauses, direction is uncertain, and meaning exists in the waiting. Rendered with restraint and negative space, the piece invites reflection on the quiet spaces between what was and what will be.

Meadhbh stretching after a long pose. Sketchbook work from November 2025 2025, Ballpoint Pens on 5” x 8” (10” x 8” Double page spread) Sketchbook, Adobe Photoshop

I received some nice pens as a Christmas gift and was testing them out.

This is the 4rth piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. It was Day 1, evening, 4 pm. We were passing through mountains and lakes. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

Posca colored pencils

A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism. The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation. This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.

My brother found me a squirrel skull so I tried painting it… I used acrylic, watercolor, and gouache

This is the 2nd piece that I painted during my train journey. I painted this scene after getting mesmerised by the view from the train window. We just passed by a lake which had flowers on the riverbank. A group of girls ( students ) got excited when I showed some of my paintings. So I gifted one of them this (●'◡'●)

Blue Flower. This was done using watercolor pencils and wax for effect.

In the words of Captain Kathryn Janeway: "Do it!" . Esther reminds me of someone. Hmmmmm.... Art by me by hand, colored pencil art. .. Esther Freeling ©️ (Haunted Hotel) Matt Roller : voiced by Natalie Palamides. Louise Belcher ©️ (Bob's Burgers) Loren Bouchard : voiced by Kristen Schaal. Michelle Green (The Green Poncho) ©️ (Craig of the Creek) Matt Burnett & Ben Levin : voiced by Michaela Dietz. Wendy Corduroy ©️ (Gravity Falls) Alex Hirsch : voiced by Linda Cardellini

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This is another dragon. They're the Bringer of Great Destiny, and basically tell you you're destined for good things. It was designed by my sibling, and this is a redesign I made. Sorry that it's hard to see. My camera is bad and my house is dark.

It's been a hot minute. I was taking myself too seriously until there was no fun in drawing left. So I had a break, then bought myself some chunky kids' markers and voilà!

Pipe Wrench — 16×20, graphite & acrylic accents The next addition to my growing Tool Series. # 6 A classic pipe wrench rendered with tight line work, layered shading, and subtle grit that brings out every ridge and tooth. I leaned into the industrial personality of the tool—solid, heavy, built for work—and let the shadows do the storytelling. It’s a tribute to the objects that shaped my childhood and still live on in my shop today.

A portrait of everyday power. This hammer isn’t just a tool—it’s a symbol of the work ethic that built me, the late nights, the factory shifts, and the determination behind every canvas. Graphite, grit, and precision shading bring out every dent and edge. Simple object, serious presence.

Who hasn't, at least once in their lifetime, fly towards something that seemed reachable?