Rabbits thorns and moons. I usual don’t know where I’m going when my pen touches down. The illustration took me for a ride and I’m not gonna lie. I kinda enjoyed it. As it progressed, it felt like an album cover so why not?
Over the course of a few months, I got to work with Good Karma For All on what you might consider a "passion project". The job consisted of freehand painting murals on every single (large) wall and hand-lettering inspirational quotes all over the inside and outside of the building.
This 11" x 14" bold, dynamic, geometric abstract makes a unique statement. Lines and curves, angles and shapes in stark black and white convey the arbitrary, yet methodical . . . random, yet systematic nature of the universe . . . and our lives.
This piece began as a multi-colored abstract . . . but it was nowhere . . . nothing . . . and had no essence. So, I tried to take it in the direction of a landscape . . . and that was horrible. I gave the entire piece a whitewash using a white acrylic paint pen. And then the idea popped into my head to Doodle over the colored background. The title reflects the fact that the piece only came to life with the addition of the Doodles . . .
This is a pencil sketch of the biggest rhino species that roamed the planet. It is an odd-toed ungulate and lived during the Oligocene epoch. No one is sure how it went extinct, but many think it's because it lost its food source from other animals (which
This is a work-in-progress of a young Sting (from the Police) playing the bass. I used a .05 pen highlighted with Lady Grey tea (my favorite). Later, I'm gonna go back and ink everything in black.
