This new Bikes of Amsterdam painting is of this wooden bike I saw (no pun intended) a while back. I thought it was probably owned by a lumberjack although it’s more likely some city hipster type. Either way cool bike. Guess you would need to varnish it every year.
I wanted to do a simple pen sketch, where if I mess up it is permanent. The one drawing type robots can't replace. #DOWN WITH THE ROBOTS, ROBOTS SUCK!!!!#
Another attempt at utilizing varied line density. I think it came out better than the previous attempt, since the lines aren't too thick. I didn't really know what to do with this one, so it kind of feels bland as a result.
I'm experimenting with line density to help differentiate details from the main outlines. I think I went a bit too thick on the robot's line art. I'm satisfied with how the flame trail came out though.
Twizzy loves all things yellow. Cause it feel like the sun and is always bright. Speaking of which , she also likes flowers. Her faves are sunflowers, marigolds, buttercups, tulips, etc.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
I was trying out different color palettes to see which one I preferred. The top palettes are based off the mimic octopus and the blue-ringed octopus, respectively. The rest aren't inspired by anything, I just thought the colors looked nice.
