These illustrations are part of an ongoing series on anxiety I started in early April 2018, as part of #The100DayProject. (See @helloanxiety_illustrated on Instagram to see more complete stories of each individual). This project is an extension of the fear illustrations I've been creating since 2012 (www.fear-illustrated).
He’s not about wondering whether or not he’ll be surrounded when the sun rises, for there’s no moment but this very one. The world is his audience and he decided to sing for it in style every single day.
I've started a new sketch book (one of many, lol), which I am dedicating to ink drawings only. No pencils, no watercolours, just pen and ink :) I drew this doodle today with a Uniball pen and a light ink wash for the space sky. No reference, totally made up. Mistakes and all! Available as stickers and other goodies on Red Bubble.
Sketchbook is Stillman and Birn Alpha - I love, love, love the whiteness of its pages!
I always admired those hand-painted signs outside the barbershops, so I made my own. Actually, you look like you need a fresh new hairstyle yourself. I can hook you up
The second set of pages from my trip to China last summer. Spent time in Beijing and Hong Kong and hiking/camping out on a portion the Great Wall. Truly amazing.
One of the students from my lifedrawing class, I have a tendency to draw the other artists in the room and not the model. #drawing #lifedrawing #sketching #tonedpaper #lifemodels #prismacolor #prismacolorpencil #saddbackcollege #saddlebackarts #drawingfro
Bring out the Sun
Moleskine Doodle - March 2014
It seemed as if the dark that year would never end, and by March we saw a glimmer, it was such a relief. Bit like how we feel now.
For this piece I used acrylic paints and acrylic markers. My inspiration was my love of tattoo flash and traditional/neo-traditional tattoo designs. I grew up flipping through pages of tattoo flash catalogues and the art inside was a huge influence in my own art. Some of these pieces are my versions of popular designs and some are originals.
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
