thing

watercolor on paper.

My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.

If it wasn't enough that Ernest Shacletons ship Endurance was crushed by the ice in Antarctika’s, some kind of weird Space Weather phenomenon appeared into the sky(drawing tip:if your drawing looks flat and dull , try to transforming it something different ).

Here is a sneak peaks of my submission to the Home Sweet Home Challenge. I loved this challenge because it forced me to do something I never would have, which gave me happy surprises as I worked through it.

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Sometimes just a spot of color keeps things light, not overworked. And red.

Completed this commission for a couple in Bristol, inspired by their favourite park Arnos Vale

BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.

Watercolor painting detail

It's crazy to think that 6 years have already flown by since I first moved onto the Xcel gymnastics team, let alone the fact that I've spent 15 years of my life as a gymnast. Tomorrow, August 6th, 2021, marks my last day as a gymnast on the team since I'm officially a college student. I've genuinely been dreading this day, but it's not the ending I expected...in an oddly good way. I know no one expected to spend the past year in a pandemic, and I definitely didn't think gym would shift so much in the following months, but here we are. Gymnastics has taught me more than I ever imagined it could, and my coaches (especially one of them) have become two of the people I'm closest with, words can't describe how grateful I am for everything. This 'ending' doesn't feel like an end, more so a closing to this chapter. Honestly, my love for the sport has only grown, and it feels like I'm finally figuring it all out. So, although my final practice as a team member is tomorrow, my journey is not over yet. "Goodbyes are the hardest part, and this ending has been something I’ve been dreading, although I know it’s time to let go. I’d like to say this isn’t a permanent goodbye to you or the sport, it’s more of a natural conclusion. Thank you from the bottom of my heart for everything you’ve done for me and managed to teach me in this short amount of time, I couldn’t have asked for anyone, or anything, better. Thank you most of all for helping me achieve my dreams and for helping me get to a point in which I can say I’m proud of my journey. All that’s left to say is I care about you, I love you, and take care."

Hammer Horror and Highgate Cemetery – two of my favourite things, thus this . . .

Things have been so busy of late and my output has greatly reduced. However, I have returned to oil painting. I revisited this piece I started last year and put in a few more hours to finish it. The scene was from a few summers ago when I visited Pen Arthur forest for the first time. The piece takes me right back to that day when the late summer afternoon sunlight struggled to penetrate the canopy.

Take time to enjoy the beautiful things around us

Getting into drawing more complicated things like glass, lots of fun stylising

Where do I begin with this one? This is a drawing of my dad and I; the picture was taken back in 2006, a happier time, I suppose. I don't commonly think about my dad, I don't necessarily think about how much I miss him or how I wish I could see him again, so it was odd for me to sit and look through old photos. I don't really know my dad; I do, but I don't. My dad was physically part of my life for 10 years, the second half of those were not the best. Mental illness, self medicating for years, debt, heroin, arguments, threats, uncertainty. I feel like I remember the negative more because I was older, my parents couldn't hide it from me like they used to. At the same time, when he was sober and stable, life was good. Life was great, things felt complete. So here I am, 6 years since he died. I don't want to say his image is fading, but I know less of who he was than I did before. I see the good from some (the ones who praise him, who act like he was a saint), and I see the bad from others (the one who felt the pain). I suppose I no longer see my view, my memories aren't there anymore. I don't necessarily feel sad, the anger has faded, and I can't say I'm happy. Maybe I'll figure it out one day, but, for now, it is what it is.

I've been experimenting with colour pallets and line width. Also trying to do LESS - my natural tendency is to add everything so cutting back is quite hard, but I think works better.

Another one for #transmundanetuesdays, with prompts by Carson Ellis (an older one tho), this is my #glovedandspikeybricklayer! He looks evil but he's just allergic to non-spikey things.

This started as something I was doing for fun, but turned into a very strenuous exercise on how to work with this many light sources.

Something I made for fun, with watercolour and gold ink. That's about it. Enjoy

What do you see?... P.s. my doodles only get weirder from this post on.

Wanted to paint something soft - something my kids might like. What is more gentle and peaceful-looking than a sleeping koala? Check out the full timelapse painting here https://youtu.be/IxmUol8dsBs

Made this illustration inspired by workshop.

We got more snow here today- more like slush on snow. I love winter but can't wait for green things and foraging and all the bugs and critters!

"Potato digger", watercolour and ink on paper, 210mm x 148mm(A5). Tiny painting made on my break from a bigger project I'm working on. The whole thing sprouted from a sketch of my small potato plant. Anyone else feels sorry for their patatoes when they sprout too much and plants them? The plants are so pretty, too!

Inspired by nature. Background layer of the pages are covered by Greenpeace's newsletter papers and used mixed technique with acrylic, ecoline and markers.

It's not about waiting around for inspiration to strike, it's about showing up every single day -- and maybe something amazing happens that day, or maybe it doesnt...Regardless, Rise and Grind ♡

Had a blast with this prompt