I've been experimenting with colour pallets and line width. Also trying to do LESS - my natural tendency is to add everything so cutting back is quite hard, but I think works better.
We have an interesting thing with the sun here. It shines a different color every day. No one knows why this is, not even Charley. We grow the watermelons in different colors the best we can.
In the watermelon sugar
Richard Brautigan
Daizies or Snowflakes it's all in your perspective, pen and india ink on paper. am pretty engrossed in this graphic, black and white nature inspired series i began a few weeks ago. There is something very soothing about doing these that leads me to believe this series is far from finished!
An automatic drawing, everything is out of my head with only the briefest idea of a story line. I played around with shapes and lines and shading to see what affect would result. It was fun, but time consuming.
A very kind, compassionate,and loving goo ghost blob who takes cares of Al's children when he's at work.she is huge (literally) she is around 7'2 making her one of the tallest ghosts.she has no arms or legs,she has tentacles and often uses them.she loves taking care of Osvald and Milada and would do anything for them.She is older than her being 43 and Al being 40.They eventually have feelings for each other and end up dating.my voice for her would be Patricia Belcher (Miss Dabney From Good Luck Charlie and Caroline from Bones)
(Gel Fineliner on A5 Paper) A simple drawing to show how iconic zombies have become, and how they're lazily added to anything these days - Just like chips.
I started a project of hunt illustrations, where things in the image need to be found. In this, the objects were: Lost iPhone, murder weapon, portal to another world, glass half empty and banana. (This is the pre-digital illustration which I don’t usually share but felt like a change!)
