This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.
"Parts Unknown," Acrylic on Canvas, 18x24 Some actions we will never know the reason behind, and, quite honestly, we don't always need to know the answer. Anthony Bourdain committed suicide on June 8th, 2018, news that was shocking for most to hear. People continue to speculate what could have caused him to commit suicide, some feel he had more to do, to say before he died. Personally, I find there's some feeling of closure or completeness to his death. I don't know what the feeling is exactly, but it's there. It feels like he left on his own terms, decided it was time. I wouldn't consider his death as him waving a white flag to addiction and depression. He said his shows were intended to tell other's stories, tell them frankly and truthfully. It's interesting how blunt and honest he could seem to be about himself, though he kept so many layers held within. Although we'd love to have a clear cut answer, explanation, reason, what would knowing that information change?
I want the composition to be thoughtful but on the sad side. My skill practice was brush strokes and blending (but not overdoing the blending) as I try to figure out how I stylize as an artist. Still working in the realm of realism and proportions as I am a newbie, but wanna flex into stylization a bit more. I did this through Rebelle 5, which is absolutely amazing, IMO.
My first venture into artist grade colouring pencils - and I'm smitten! I never thought I could achieve such boldness and blendability with them! I'm still getting used to them and will think about choosing smoother paper with less tooth next time. The texture and weight was more for the water-based gouache along with alcohol inks (which are very unforgiving to even primed heavy paper!). Apologies for the unevenness of lighting between the 2 sides of paper; will correct that when I'm making proper image files.
Whew!!! About 50 hours of work split evenly over line work and color. I think it’s finished ( famous last words)! I’ll check on it again in a few days for any final details... and get some good camera shots instead of phone camera. .... but I’m happy!
Long story short:He is a ghost magician even though ghosts have magical powers themselves ex telekinesis teleportation invisibility shape shifting.therefore it would be pointless to be a magician however the talking book his father gave him gives him extraordinary powers never seen before .he becomes one to ultimately make people happy.I don't have an outfit for him yet but it has rainbows and stars.he doesn't wield a wand because he uses his hands.
Sometimes, I re-read books and they don't have the same impact as before. Sometimes, I re-read them and they hit me harder.
Roadside picnic by Brothers Strugatsky made me cry. This is my favorite book by them, although I do so love Monday starts on Saturday. But this book! I wish more people would read it.
Osvald is Mileda's twin brother,he is playful like her although there are moments where he can be very shy and stutters words,he likes to arm wrestle and he is also a daredevil which his parents mainly his mother,do not approve,he likes danger and much of it can't hurt him since he's a ghost
Oh boy, markers (NOT a go-to), least favorite color, and a subject that isn’t on my radar. This was a hard one what with 3 negatives going for it. But, hey, it’s a challenge, right?
Choosing a subject came first….we have a house full of Indonesian masks and sculptures. (My husband studied gamelon music in Indonesia.) Garuda, the “mount” of Vishnu and popular with Balinese artists seemed a good choice, esp. since he can be green, red, yellow or orange.
I rarely choose yellow/orange for anything---artwork, décor, clothing...though I do have a soft spot for sunflowers.
First I drew a bunch of images based on one of our wooden Garuda sculptures and then made a simplified marking pen outline and colored it with markers.
This is my study of the destroyed Darth Vader mask.from the movie Star Wars, "The Force Awakens. This ink rendering was my design for the pumpkin carving contest held every year at The Chadds Ford Pa Historical Society headquarter.
I chose to do this mask because it illustrates what is the ultimate destination for all who chose to live in the darkness of sin,in stead of living in the the light of righteousness.
The mask belong to the villain Darth Vader , who die while trying to force his son to join the dark side of the force. So I thought the destroyed mask over the letters "The Dark Side Of The Force." reflect the Biblical principle " Sin gives birth to death."
Written by Stephen J.Vattimo
Oct 24,2016
Inktober
Day 20
Frost
I think this is one of my best drawings. I actually put a lot of thought and work into this one, then I did the previous ones. Stipling is a very hard, time consuming,and patient way of doing ink drawings. I have seen beautiful stippling drawings and wanted to try on this one.
"I take a step outside and I breathe the air, and I slam the door, and I'm on my way. I won't lay no blame, I won't call you names. 'Cause I've made my break and I won't look back; I've turned my back on those endless games." Although I'm a bit late, May 1st was Decision Day (congrats to everyone in the class of 2021!), and I'm proud to say I'll be a Blue Demon this fall (a very sciencey one at that).
Superstition : Hare.
Two extraordinary beliefs about the hare which are still repeated though no longer held, are that it is so timid that it never closes its eyes, even in sleep; and that once a year the creatures change their sex!
From "A DICTIONARY OF OMENS AND SUPERSTITIONS" by Philippa Waring. https://www.instagram.com/p/CDED3E7BKu4/?utm_source=ig_web_copy_link
The jarring moment when you are asked a thoughtless question. The decision to respond appropriately and proportionately that protects yourself versus answering in a manner that protects the status quo.
I have thought of a design already,a wisecracking,fun loving marionette imp who loves dancing and singing and playing tricks.he helps Aldo become a better gymnast and also helps him with his self esteem issues. I was going to give him horns then I thought not all imps have them I might remove his tail too.inspiration for his face https://www.1stdibs.com/furniture/wall-decorations/wall-mounted-sculptures/italian-modern-venetian-handmade-ceramic-white-carnival-mask-italy/id-f_26511762/ Costume inspiration https://sccnola.com/wp-content/uploads/2014/06/femalejester.jpg
"And I Can't Get It Out of My Head"
Watercolor
I feel like I may be cheating since the song I was inspired by is not so simple, but I'm pleased with the result. To be completely honest, this was the piece I needed right now.
The past week has been interesting for me, I've found myself in a peculiar slump. There's not one thing I'm thinking or worrying about, it's a constant buzz of thoughts streaming through my head. Sometimes I can get the buzzing to quiet down, other times it gets overwhelmingly loud.
I've always found art to be a release, it fills in the blanks when I can't figure out how to make my words work. Lately, it's been more of a challenge than usual, but I think this piece says all I've been wanting to say.
Soluto is Princess Neera Veera's archnemesis,just like how Qasaherim is Elvarelyn's archnemesis.He is a fire demon warlord who has an army of his own to destroy anything and anyone on his path mostly weaker demons since he cannot fight stronger,more dangerous demons because that would result in not only his armys elimination but his.He is not terrifying,vile or deadly like a lot of demon warlords because 1.he be defeated easily and 2.he is moody and skittish and 3.he has only killed a few demons.Snidecious and him are very alike,even though snide doesn't want anything to do with him.Soluto Ignis literally means fire warlord in Latin thus why I named him as such.He was difficult to color since I have never colored fire digitally I even tried to search for character speedpaints similar to Soluto's design to get an idea on how to color him but nothing helped however what did help me was looking for similar character designs on google images and getting not only an idea how I colored him but inspiration too.
At the top of Pentregwenlais near Llandybie is Gwenlais Quarry. In itself, the quarry is quite beautiful with its sheer rock faces and the way that nature has started to reclaim it. This scene is one of the paths that leads down from the top of the quarry back towards Pentregwenlais. I was going to do it as a pen & wash but by the time I'd finished with the watercolour I thought it was too complex to start putting ink in there. Watercolours on watercolour paper (6x8")
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey