Part of a series of black and white drawings on birch plywood. I took some liberties with horns and the look of the face. Don't consider this a realistic bison.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
"Focus" this piece is about focusing your intention on your dreams, activities, life. Also, I love Peggy Gou - a Korean DJ who is an absolute pleasure to watch. Not only is she super skilled, but you can tell she absolutely loves what she does.
Doodling has become an essential part of new beginnings in my life. The blank page is encouraging unplanned art that surprises me and pushes me in new directions. This piece speaks to me of fresh starts and flowing into the future full of change and magical possibilities.
This started as a pencil drawing (see the 2nd image) that I scanned and put into Photoshop. I tried various filters including: Smudge, Ink Outline, some Splatter, changed the Exposure and added a Sepia Photo Filter. After a couple of hours of playing (I’m not very knowledgeable about digital possibilities and just use trial and error) I ended up with a dramatic image with which I am quite happy. The reference was a magazine advertisement.
It's been a while since I draw on kraft paper.
So, here is the result on the thinking process: How can faun shield themselves from sunlight if they can't put a hat on?
Answer: They tie branches to theirs horns.
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I should be the one shielding myself from the sun just so it can't kill anymore neurones.
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Ça faisait vraiment un moment que je n’avais pas dessiné sur du kraft.
Donc voilà le résultat de la réflexion: Comment les faunes font pour se mettre à l’abri du soleil s’ils ne peuvent pas mettre de chapeau?
Réponse: Ils s’attachent des branches dans les cornes.
…
Je crois que c’est moi qui devrait me protéger la tête du soleil, histoire que ça ne cogne pas trop sur mes pauvres neurones.
A redraw of a drawing I did based off a drawing I did last year,what's different:no more eyelashes,I fixed her weird head shape,she now has jeans because it suits her better,no hair tie,her boots are now red.Algodón means cotton in spanish figured it was a better last name than candy.She was originally a side character in my story but now she's the main character.she's not bubbly or optimistic nor is she a pessimist but a realist.she works as a DEA agent to fight against crime and kingpins,her 1# foe would be ruthleen and parsnip.people don't take her seriously because she's pink,soft and fluffy.despite constant mockery,Clemence is always determined and confident.I might make a reference sheet of her one of these days.
I haven't had time to draw in a long time because of school and other personal projects, but I recently finished this doodle. There's a color version of it that I'll upload tomorrow.
FEDERICO FELLINI
In a 1977 interview, he described his morning routine:
I'm up at six in the morning. I walk around the house, open sindows, poke around boxes. move books from here to there. For years I've been trying to make myself a decent cup if coffee, but it's not one of my specialties. I go downstairs, outside as soon as possible. By seven I'm on the telephone.
- Daily rituals by Mason Curry.
#inktober #masonCurry #federicofellini #dailyritual
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
I took the skulls of monkeys/apes I'd drawn about a year ago and incorporated them into some new collages that include mandalas I did about a month or two ago. Cutting, cutting, cutting, paper everywhere. I'm a huge mess. The second one is Billy / Jigsaw from Saw!
Neal has found another Labrador – her name is Bella. He has also met Peter. Peter is worried about Neal. He thinks the boy might be a runaway. He is also about to patiently explain to Neal that when a dog is wearing a nametag with their owner’s info on it, then that dog is not an unwanted stray, as Neal seems to believe, but just a missing dog.
The cat in this doodle is inspired by "The Beast" from a cartoon that ran when I was a kid. The abstract mushrooms are a slight deviation from my usual botanical abstracts.
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
I've begun cutting apart my old sketchbooks and glueing them back together. The results of which are sometimes more interesting than the old drawings themselves. This saint is my favorite of my most recent bunch. She's the prettiest Christmas tree of all.
This one is called "Geometric Flower and Vines." I did this very early on in my junior year Astronomy class. I have it available as posters, prints, clothing, and more on Redbubble, Society6, Fine Art America, Zazzle, and Threadless. If you're interested, check out those sites via this link: https://linktr.ee/okhismakingart
