Sometime last year when I went to my village after a while, some of the buildings I saw were now modern, they no more use mud bricks to build. What I saw was like the mud houses are giving way for the sky scrapers.
And we're back to class. It's amazing how a couple of weeks can get you out of shape for gestures. Medium: Vine charcoal on newsprint. Time: 7 x 2 minutes.
Dark oceanic blunder focus distance and disturbance fully. Bleeding creature in tears of this manifestation growing. Horrendous branches consume while last thoughts falter, compose this ending formation.
Walking beast consume liquid to twist minds into horrid measure. Running away, outside dark realms, children always seem to suffer. Tears under this bed, in time, will he find you?
An image depicting the taking of a mother fighting for her life as she holds her child. In tears while Reaper smiles heavily. Emotional valley weep thorns in their struggle to be together one last time.
This was a final assignment for my most recent figure drawing class. There's some things I'll probably play around with but for now I'm definitely ready to set it aside for a bit. Time: 8 hrs Medium: Procreate on iPad.
This is Lianhua. She is from the Tang Dynasty in the Year 700 Ad. She is wearing a type of hanfu (traditional Chinese dress) called a Qixiong Ruqun. If anyone knows more on Hanfu and Chinese historical fashion, let me know if I I got the the time period right or if the styles are from different time periods. I did alot of research, but I still have alot to learn. Created with Kuretake Gansai Tambi Watercolors.
A few years ago, I noticed a new habit of doodling faerie folks who seemed to exude off of the page. They look very doodle-y but they have ‘presence’, at the same time. I don’t know if that comes across to anyone else, but it does for me so I find them interesting. They each have part of a story that they want me to tell ... Here are five of many.
A movement study of legs using a male model. 20 minute initial sketch, five minutes for each following, and a final 15 minute sketch. Time: 1hr Medium: Procreate on Ipad
A little messy, but still, turned out...sort of okay. An echorche (cut away drawing) of the legs for my figure drawing class. We had one hour with a model to. Time: 1 Hr. Medium: Charcoal and graphite on paper
Well, I'm joining the Tumblr exodus, which is unfortunate because that's where I post all my sketches! Oh well. Hello DoodleAddicts! This was half of a recent assignment for a figure drawing 2 class, to draw our model in low key lighting. :) Time: 30 mins Medium: Charcoal on Paper
I've begun cutting apart my old sketchbooks and glueing them back together. The results of which are sometimes more interesting than the old drawings themselves. This saint is my favorite of my most recent bunch. She's the prettiest Christmas tree of all.
PSA to not be a dick to retail workers this holiday season (and all seasons!). Working retail during the holidays was some of my shittiest experiences. People become coupon-waving, red-faced monsters that deserve nothing but a trip into Krampus’ sack.
Here are a few things to remember:
1: They have literally no authority. Honestly, the cashier would love nothing more than to accept a stack of expired coupons to get some cranky-ass customer indignantly insisting that “at this point YOU owe ME money!” through the line. But they can’t. And no amount of screaming will change that. Oh, and the manager is bunkered safely in the back refusing to come out and will only troubleshoot through walkie.
2: If you’re nice (like basic human decency) they are more inclined to help you as much as they are able. Being kind and patient costs nothing and might actually pay off. You might even be able to coax out a skiddish manager that *sometimes* has the magic touch to get things accomplished.
3: Corporate overlords. Managers can do a lot but in the end, the retail world is run from corporate overlords through the machine sentries AKA registers. Welcome to Black Mirror, people. If the machine rejects your request then back to the matrix with you.
The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition?
My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.”
I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them.
Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com
Things people like, cats and flower. Here combined in a gold foil exclusive birthday card. I am trying out different styles for cards with matching patterns. The hope is to sell it and become full time card, placement and surface designer. I just craw all the time and forget about selling. Now I need to get into business and act some more. Do you think it has a chance, and do you even have an idea of where to sell it?
