I finally did it. I completed my 100 gestures Challenge. You can do a gesture in 2-3 minutes (or even faster if you are trained), so you can complete such challenge in 4-5 hours. I decided to do gesture drawing as a habit, take some extra time to select poses which I find interesting and draw on most of the days at least one gesture. I started in April and now I'm done in December, which means 7 months later. As it is now a habit I will not stop drawing gestures after the challenge, but I passed a milestone. Thanks for watching.
Spent some time last week trying to work through a new digital painting/colouring technique . It needs some more work and I haven't decided if I like It yet or not. One of the images turned out blander but the original skin tone was very orange I did like the brush textures a lot better on the orange skin but the lighting feels better on the purple-toned image.
Thankfully attempt number 2 came out better compared to attempt number 1, thank God!. I will say that I accidently went a little ham with the ball point pen on the first object.
Painted original (watercolor on watercolor canvas) about 15 years ago. Wasn't satisfied and so I put away forever. Except, not forever. Have started a project of revamping old paintings that were not quite right, and that now seem salvageable. This was the first. Worked on it for a few minutes a few days a week for a few months, never going too far. Goal was to improve not recreate. Kinda having fun with this new project. Artists tend to do this, take a new tact, find a new route.
Daler Rowney and Winsor Newton do a watercolour called Sepia. I absolutely love the tone of the Rowney one and had a play with it here. I'd really like to do a proper sepia painting some day.
A long time ago In Egypt you would bury the person with some belongings you think they would benefit in their after life. A few interesting objects I chose were from a mobile, baked beans, kitkat, toothpaste, apples, gloves to a paintbrush and more. A fun artwork where egyptian hieroglyphic symbols were used.
I am continuing to try to paint without outlining in pen first - just starting with a pencil sketch. I used this awesome photo as reference: https://www.pexels.com/photo/chimpanzee-sitting-on-gray-stone-in-closeup-photography-during-daytime-33787/
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
4 of 5 of the characters I scrapped due to changing the tone of the story. This character is half mythic-a ziburinis but flames are purple and half human.
A colorful sketch depicts two stone hacienda arches. The bright hues suggest a sunny atmosphere, and through one arch, a serene landscape with trees is visible.
