I gravitated towards the fony baobab, a real type of baobab. Sadly, all baobabs are in decline, which informed my composition. I used pastel earth tones and a lot of blacks. Digitally hand-drawn in Rebelle 6
” Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul to waste ”
I have had an idea for a long time to illustrate Sympathy for the Devil from Rolling Stones.
This start from free sketching of cloud looking lines and soon i realise they look like atom bomb cloud. Original idea was more landscape version but maybe later.
In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.
I took my Cultural Safari sketchbook class to the Nelson Atkins Museum of Art today. My sketch of The Virgin and Child, ca. 1350, France, Limestone Sculpture.
It has been a delight to share with my students the incredible resource of people. Over the years, I’ve had the great privilege of connecting them with inspiring individuals such as Lois Ehlert, Dave Nice, Gregory Martens, Colette Odya Smith, and—as seen in this “Behind the Professor” sketch—Dr. Gaylund Stone. There’s something powerful about the presence of someone who lives their craft with humility and depth. In moments like these, my students are reminded that more is often caught than taught.
The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table.
We traced them. Pushed them. Held them.
Then we let the colors lead:
-Red for emotion.
-Yellow for curiosity.
-Blue for memory.
Each color came with music, with story, with space.
At the Museum of Wisconsin Art, we made marks not for meaning but for presence.
Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.
