Unfinished value study for a painting, worked in graphite on hot pressed watercolor paper. Drafted and rendered using the Bargue method. Hopefully, I got the photo oriented correctly so that the drawing will be right side up, once I upload it! If anyone has advice for photographing a heavy application of graphite, without getting weird reflectiveness, or speckled effects, I’m very interested!
One of my older drawigns made by traditional art supplies:watercolor and markers. This is one of my favorite creation, because of the love of J.R.R. Tolkien!
Rey is the Arachne boss of all the monster forest, called the Monster King by humans living nearby. (I've been so emotionally busy, but I wanna keep up)
He loses himself in his own fur, when he’s utterly relaxed. Touch that fluffy belly so casually exposed, though, and you’re likely to get punctured. He doesn’t know he’s irresistibly soft.
Drawn in Prismacolor Stick on heavy cream drawing paper. I wanted to capture the burning intensity of her patience as she waited for a sign from me that we were going to leave for our walk.
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
