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traditional

Jasmin Jasmin
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Disney-esque Mermaid

Fineliner on drawing paper.

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Anna Anna
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Greek journey

Back on my travelbook, made with gel ink pen for a future art book about mediterranean way of life. Greek Mozaic tiles and enjoying the sea

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Valeria Loyola Valeria Loyola
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Perspective

It’s work in progress but it never hurts to show what you’ve been up to! :)

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Bleu Hope Bleu Hope Plus Member
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“Psychedelic Moog Krautrock”, December 2024.
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An accurate description of the music I listen to while drawing or taking / making photos!

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MaryAnn Loo MaryAnn Loo
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Sketchbook Doodle (22 Feb 2023)

Been musing about what "home" really means...

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MaryAnn Loo MaryAnn Loo
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Sketchbook Doodle (19 Jan 2023)

Welcome doodle for the Year of the Rabbit!

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Anne Hill Anne Hill
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Up There

White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.

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Bleu Hope Bleu Hope Plus Member
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“Grand Touring”, December 2024.

Pre-Christmas shopping narwhals!

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Jasmin Jasmin
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Morning Dew

Watercolour and coloured pencil on watercolour paper.

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Stephen Stephen
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Peter took His Eye off Jesus and began to sink.

Peter took His Eye off Jesus and began to sink. Medium: Acrylic on canvas Size: 11”x 15” Date: 2019-2020 This illustration is one of nine, in a mural about the ministry of Christ. This image is block number 7. This painting illustrates Jesus rescuing peter, as he start to sink in to the sea, because he lost his faith when took his eyes off Jesus, and focused on the violence of the winds and waves of the storm. Matthew 14:22-33 New American Standard Bible (NASB) Jesus Walks on the Water 22 Immediately He [a]made the disciples get into the boat and go ahead of Him to the other side, while He sent the crowds away. 23 After He had sent the crowds away, He went up on the mountain by Himself to pray; and when it was evening, He was there alone. 24 But the boat was already [b]a long distance from the land, [c]battered by the waves; for the wind was [d]contrary. 25 And in the [e]fourth watch of the night He came to them, walking on the sea. 26 When the disciples saw Him walking on the sea, they were terrified, and said, “It is a ghost!” And they cried out [f]in fear. 27 But immediately Jesus spoke to them, saying, “Take courage, it is I; do not be afraid.” 28 Peter said to Him, “Lord, if it is You, command me to come to You on the water.” 29 And He said, “Come!” And Peter got out of the boat, and walked on the water and came toward Jesus. 30 But seeing the wind, he became frightened, and beginning to sink, he cried out, “Lord, save me!” 31 Immediately Jesus stretched out His hand and took hold of him, and *said to him, “You of little faith, why did you doubt?” 32 When they got into the boat, the wind stopped. 33 And those who were in the boat worshiped Him, saying, “You are certainly God’s Son!” When I did my research, I Found very few biblical accurate illustrations of the event. Very few captured the darkness and valiance of a stormy sky taking place at 3:00 am in the morning (which is the forth watch of the night. Many illustrations I found, their skies were too bright and calm. I found that the seas in these illustration had the same lack of movement and violence, the sea would have in a storm that was so strong the disciples were not able to make any headway in their crossing the lake. I notice that all illustrations of Jesus walking on water, show the viewer His feet. In reality the waves would most likely block the viewer from seeing his feet on top of the water. The unavoidable black eye in most of these illustrations of Jesus walking on water, is the ridicules and unrealistic possess they have Jesus in, of Him rescuing Peter. You know the ones where He is making some kind of sign with one hand, as it is held up toward the sky, and one hand reaching down to peter. What was I trying to accomplish in my illustration? I want to be careful, to being accurate with costumes styles, and colors worn by the poor people of Galilean society. I wanted to be accurate in illustrating a storm on the sea of Galilee. I looked over numerous photos on line, of storms taking place on the Sea of Galilee. To understanding how the water and sky behave during a storm I studied the colors of sky, clouds, and water, during these conditions, in this location of the world? Showing movement in the air and the water. I used stylist brush strokes, to create movement in the sky and in the water. I am hoping to make people feel the storm’s violent energy. Showing power of the wind blowing against the bodies of Jesus and peter, through the movement of clothes, and hair. Showing the anxiety of Pete, with his body swallowed up to the waist, his face looking up to Jesus to rescue him from drowning. Showing that Jesus offers security to Peter, from being swept away by the wave of the sea. By his secure grasp of Peter’s back arms. He is able to lift Peter out of the water. The message I want my view to receive, is that everyone who comes into the world will experience trials and tribulation. We can overcome our fears and be filled with courage, to enable us to battle our ways through these storm in life. When we place our trust in the one who has authority over the power of the storm, who is Jesus a member of the trinity of God that created all things. Written by Stephen J. Vattimo 3/16/2020

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Jasmin Jasmin
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Floral Dream

Watercolour and soft pastel on watercolour paper.

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Lynn Lynn
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A Single Flower

Painted with acrylics.

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Prateek Gupta Prateek Gupta
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Dash

Line image by me. Please support me by following my insta: prateek.g26

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Rowan Rowan
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Grumpy

During the lockdown I'm doing a series of cat portraits for the Gatti di Roma in Rome. I've auctioned this and all proceeds went to the charity

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Maja Rasic Maja Rasic
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Sid

Sid from Ice Age. Colored pencils on A5.

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Bleu Hope Bleu Hope Plus Member
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“Tokyo Singsong”, September 2024.

Lunch time and a spot of music = this.

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Rhoda Chan Rhoda Chan
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Red pepper bell

Just experimenting with pastel!

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Winters Winters
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Phoenix

An old one. Ink and pencil

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Nora Thompson Nora Thompson Plus Member
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Triangular

Charcoal on mixed media paper

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Bleu Hope Bleu Hope Plus Member
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“New Frontiers Over Old Fears”, November 2024.

Changes afoot before we enter the new year?

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Jasmin Jasmin
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Symmetry

Marker and fineliner on marker paper.

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Anna Anna
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Sicily: façade and vase

Made with gel ink pen for a future art book about mediterranean way of life. glimpses of Sicily under vitamins

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kanaiyah ward kanaiyah ward
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im conquering my fears and rising everyday

this is the powerful mantra that I Kanaiyah Ward drew out in block letters and it states that I am rising every day. and I'm conquering my fears, too. how true! I used just a pencil and a little bit of pen. Thank You for believing, liking, and supporting me!!!!! @tigger

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Juan Pedro Ramos Ponce Juan Pedro Ramos Ponce
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Studies

Fountain pen and waterbrush studies.

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WaterproofFade-Proof WaterproofFade-Proof
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Lax Inktober 6-8
1/4

Another inktober2020 drawing combining 6 rodent 7 fancy and 8 teeth. Lumin, A blue blooded vampire of mine, apparently does not enjoy his furry visitor arriving without a proper invitation. I tried experimenting with a low single point perspective for this piece and I think It turned well, except for maybe the thumb I forgot was a thumb midway through drawing.

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Winters Winters
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Lanner  Falcon

Pencil art

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Bleu Hope Bleu Hope Plus Member
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“Rejoice In The Rummage”, November 2024.

Narwhals and fungi unite again!

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Jasmin Jasmin
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Spring Love

I know, it's summer already. Who cares? This is done with watercolour and coloured pencil on watercolour paper.

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Anna Anna
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Pot IV: Blue (last one)

Drawing of plants in a pots from the garden in colored pencils and acrylic paint. I made postal cards if anyone interested send me a message :)

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Bleu Hope Bleu Hope Plus Member
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“May Song Sing”, May 2025.

One year ago post-Beltane, I was drawing even more narwhals. As you can see? Some things never change!

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