Progression 2 of 6. Spent some time here in the hair, beard, and eye. The transition in the hair from light to dark was done mainly by not adding in graphite in heavy amounts and using the pencil eraser to define the hair.
Just playing around with her design. Her face has a habit of changing and I think it may have something to do with the different style - I don't translate it very well.
"Lang may yer lum reek (a Hogmanay greeting, implying "May you never be without fuel for your fire!", but more literally translates to "Long may your chimney smoke!")" All this I corrupted and used to inspire me here.
Sometime last year when I went to my village after a while, some of the buildings I saw were now modern, they no more use mud bricks to build. What I saw was like the mud houses are giving way for the sky scrapers.
Beaten mention through words that of a dark age reveal vines that bleed into the hearts of many. To present your reflective waves, to be ridiculed by voices lacking the complete understanding. In thoughts, a depression emerges.
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
The inspiration for this collection came from a conversation I had with the Founder and Executive Director of the Underprivileged And Underserved Foundation (UAUF), George Goodwine. While discussing race and whether or not every opportunity was fair based upon someone’s familial structure or “starting line,” I was asked the following questions. How does someone overcome these hurdles? How can the playing field be leveled to make things fairer, when others may only have 50 hurdles to overcome in the same competition?
My response was simple. “The person in front of 150 hurdles has two choices. They can either get discouraged before they begin, or start jumping. In the midst of the race they might get tired, unsure, or discouraged, but if they press on to the finish line they may become more physically fit than the person who jumps over 50.”
I used to dance ballet and at the time, there were a lot of hurdles I had to overcome solely based upon inconveniences that came with being raised in low-income, single parent home. Above are pencil sketches and sharpie drawings that I have drawn from actual photos. I plan on making these images my own by adding more abstraction and vibrant color to them.
Over the course of the project, stay tuned to see how these pictures will transform into a work of ART!!! Check out my artwork at theservingartist.com
Old drawing that I had contributed to a charity art book for Japanese tsunami relief efforts. Feel free to follow my facebook for additional updates! http://www.facebook.com/sonialaiart
An illustrated poem I did as part of my drive to learn Korean. I did this, along with 40 plus other illustrated poems, in my notebook. Here is an English translation of the poem: :
High Pine
Close to the brook I'm looking at a high pine
High pine I want to talk to you
Many questions I have
How many people have you seen?
How many sunny days have you seen?
How many rainy days have you seen?
How many people's voices have you heard?
How many birds' songs have you heard?
High pine can you hear me?
High pine can you hear me?
High pine do you have any good stories?
High pine do you have any good stories
I will listen well
Really
Really
Really
Abstract Ink doodle and background on Yupo paper, using pinks, purples and blues. Apparently this year's colour is Ultraviolet! Design available as stickers, clothing, prints and decor.
