Yet another former business related cartoon. Quick pean and ink on 8.5X11 heavy cardstock, with a little help from Photoshop for the background. Obviously.
Working on tan paper. If you'd like to see my process there's a video of me painting this over on my Youtube: https://www.youtube.com/watch?v=k9jc-09Sjzs
My first venture into artist grade colouring pencils - and I'm smitten! I never thought I could achieve such boldness and blendability with them! I'm still getting used to them and will think about choosing smoother paper with less tooth next time. The texture and weight was more for the water-based gouache along with alcohol inks (which are very unforgiving to even primed heavy paper!). Apologies for the unevenness of lighting between the 2 sides of paper; will correct that when I'm making proper image files.
This art is linked to my previous work. The protogonist has entered the other side of the world. A weird place but it seems familiar as this world is nothing but his consciousness and diary is just a portal which let him in here
I have been participating in Lauren Hom’s #HOMwork challenges via Instagram. This weeks challenge was to draw the same letter 16 ways. I drew cats instead. I may come back to the whole lettering thing at some point!
When we help someone there is always something that blooms and grows beyond us. It is an increasingly necessary action in a world that unfortunately is increasingly divided.
@givingtuesdaypt challenged me to illustrate its movement inspired by this year's motto "Together we change the world"!
This day is celebrated on the first tuesday after BlackFriday, calling on anyone to choose a cause that ressonates with them and give back to them however you can. Thus, a wave of massive generosity is created, which can (and should) extend beyond today! Are there any organizations you want to support?
: .
I try to do a couple of birds a week (obviously don't post them all). This is based on an on-line photo reference drawn with a "soft" Palomino Blackwing pencil and a 4B Koh-I-Noor Hardtmuth Progress woodless pencil. Hence the dark velvety black.
As a child of the 70s, I have very fond memories of sitting on the floor in front of our little colour TV, and watching and adoring Lynda Carter bounce around, kicking ass and fighting crime. I’ve always loved Wonder Woman, and I'm fascinated by the myriad ways she’s been imagined and re-imagined over the years.
For mine I focused on her dualism – the goddess beauty vs warrior strength, combined with the colour and curves of my childhood. In terms of the art, I thought it would be fun to allude to classicism for the subjects association with Greek mythology and form, and balletic contrapposto as a homage to Lynda's classic spin.
Prints available via my website.
I thought I would play with crayons this morning. The bird with the cute hairdo is a Livingstone’s turaco from the family Musophagidae. Found in the subtropical lowlands of southeastern Africa. This bird’s plumage is the color of spring. Crayola crayons on toned tan sketch paper.
I asked my husband (who is our Covid-period grocery shopper as I am high risk) to bring home a fruit to draw. He came home with a dragon fruit. For those who don't know this interesting edible, it's from a cactus. There are two species: the Asian species is white inside, the Central American variety is shocking pink (see photo). Great in smoothies or when nicely ripe (as this one was) it's tasty eaten out of the skin with a spoon.
I am interested in connection between a human and an animal. This unique, individual emotional, almost telepathic connection that is so abstract that only art could possible be bale to materialize it . ..like another different universe...
