visual

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Be Hold the Lamb of God Medium: Acrylic on canvas size:11”x12” Date 2019-2020 Artist: Stephen J. Vattimo This illustration is done for a mural portraying the earthly ministry of Jesus the Christ. This is number 8, out of 9 illustraitions. This illustration portrays Jesus after he dies on the cross. Biblical reference : Mark 15 : 33-39 33 At noon, darkness came over the whole land until three in the afternoon. 34 And at three in the afternoon Jesus cried out in a loud voice, “Eloi, Eloi, lema sabachthani?” (which means “My God, my God, why have you forsaken me?”).[b] 35 When some of those standing near heard this, they said, “Listen, he’s calling Elijah.” 36 Someone ran, filled a sponge with wine vinegar, put it on a staff, and offered it to Jesus to drink. “Now leave him alone. Let’s see if Elijah comes to take him down,” he said. 37 With a loud cry, Jesus breathed his last. 38 The curtain of the temple was torn in two from top to bottom. 39 And when the centurion, who stood there in front of Jesus, saw how he died,[c] he said, “Surely this man was the Son of God!” In doing my research : I found out that the crown of thorns might have been a cap, than a wreath. I t is my opinion that Mel Gibson’s portrayal of the brutality the Roman soldier inflicted on the body of Jesus, through the beatings and the 39 lashes with the cat of nine tails. This event was never visually captured in arts, until he made his movie The Passion of the Christ. Many don’t know what a cat of nine tales is, Roman style. A cat of nine tails are nine leather strap that are woven together at the handle. Each strap is laced with bone and other sharp objects. With each lash, flesh would be ripped from the victim’s body. Most of the illustration I have seen of the crucifixion of Jesus where quite sterile. They fail to illustrate the brutality. Their image of Jesus looks more like an under wear modal doing a photo shoot fore GQ magazine, Then the savor having the wrath of God being pored on his body for the payment of our sins. In this painting, I am place my viewer in the soldiers shoes, who just witnessed Jesus committing His spirit into God’s hands. Just as the soldier pondered the event he participated in , and looking into the face of Jesus, he proclaims, this man was truly the Son of God. Written by Stephen J. Vattimo 7/20/2020

Got inspired by my own doodle and made a visual identity for myself.

This is a visual representation of my descent to college. The papers represent student loans. I’m not quite there yet, but it’s coming too soon!

To enjoy the best of each other is poetry. A watercolor painting where poetry reigns.

A3 format, acrylic, felt pen, colored pencils Visual artists from the World of Fantasy are familiar with these creatures who are alive to every creator. Their court cannot be affected, there is no way to deceive the inner voice that knows the truth, created by the Observers. When the artist starts with some work, they appear, at first in a small number. At the end of their work, eg some pictures or sculptures, and especially when finished, their number is significant, they carefully study the artwork, and if they see a mistake, disharmony, lack of emotions, etc., dissatisfied will grumble somewhere inside artist's insights. The artist will feel that his work is nothing special, similar to many other artistic attempts that disappear in the dark of forgetfulness. Some spark is missing in his artistic creation, which would do its job gave a life that lasts. The disapproval of the Observer, their unpleasant resonance, if frequent, it can make a more sensitive artist to dump the brush and consecrate himself a completely different job, in which self-criticism does not play a significant role.

Another transitional one from 2017 in the size of 18" x 24". Looking back, this work starts showing me some glimpses. Abstracts do have an impersonal quality to it. Since it is not grounded with our everyday familiar objects or people, not knowing the visual language would be hard to understand the merits. I guess that is why I fell back to semi figurative.

Day 1 of the #sketchingforux100 challenge. The goal is to build a visual library by sketching concepts daily.

Sketchbook spread, visual diaries. Collage, acrylics, Posca, graphic markers.

Visual for a book cover (Journey to Love)

Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression. Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more

Visual lists are a good reminder of what I have to do... or what we already did!

Digital illustration part of my new graphic design visual identity.

Our local antiques store had a huge treasure trove of vintage Native American themed toys and gifts this weekend. I realized that 1) I'd owned a lot of them and 2) none of my friends had. It never occurred to me that my collection was particularly large or unique. Doesn't every kid have a fixation on this country's indigenous population? Apparently not. I love the visual language of the Navajo and Hopi especially. My Kachina doll collection was the bomb.