I began to draw my first series "Questioner" based , which was inspired by various bizarre questions on Quote. It must be the questions that is forever innovating in the world.
Whimsical portrait. NO REFERENCE for the face. Reference for the flower “Camellia”. Watercolor. I jave used cheap paper and cheap supplies for years. It has come to my attention that using better quality products produces better results. Well, stay tuned I’m hoping to make even better works!
This is something that my bro wanted I haven’t showed it to anybody yet hope you like it. I don’t know if you can give feedback but if you can and have tips please tell me. I am open to criticism.
"Whirlwind 20”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 20th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 20, 2020.
"Whirlwind 19”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 19th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 19, 2020.
Charcoal and graphite. I drew this while standing in the woods for over an hour. The light kept changing as the sun was going down. Fortunately, I was able to capture some dramatic shadows!
Giving it a go with artist colored pencils for the first time. Finding it challenging to keep a point on the pencils and anyway to recover if what should have been a white area gets too much color? Do most colored pencil artists use solvents to blend?
"Whirlwind 18”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 18th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 18, 2020.
This drawing, with a bit of watercolour, was done years ago in North Vancouver during a figure drawing session. Probably 15 - 20 minutes. Watercolour, subtly employed, can have wonderful affects. The challenge of working fast forced me to ditch excess thinking. And it's funny, because at first I thought, "Oh, this is terrible." Then the next day, with fresh eyes, or checking out the drawing in a mirror, I think, "Wow! How did I not see how good this is?" Never throw out your artwork immediately after a drawing session. Give them a few days and look at your work with fresh eyes.
I was expirimenting with lighting, and it kind of ended up looking like she was staring into a campfire. That, combined with the puffy jacket, and it turned into a camping scene. Always open to feedback, thanks!
A suit I designed for a fantasy SWAT (TSWATT, or the Taured Special Weapons And Tactics Team). They have wings which can fold into themselves, so far that they cannot be seen unless you look behind the back. They have special long fall boots (sort of like the ones from Portal) that allow them to fall from great heights. They have special glass goggles that act as sort of a VR set, in which they can see through smoke and walls if the area they are in is mapped out. The little orange thing on their chest records everything they witness. Drawn with FireAlpaca.
