Part of Paintable's intro to digital painting course; quick exercise on layering, masking, color choice, and texture. Was provided line art of a cactus and brushes. Source: https://paintable.cc/
The girl was probably around 25yo but my drawing made her face and body look older. The shadows are a bit rough too. Again, I placed the drawing a bit wrong and had to leave out the feet.
This picture was a participation to one of Creads' contest. I had to create a mascot for a french animation convention, with the theme CMYK. So... hu... I actually don't remember why I made the kitty six limbed, but hey, I'm not surprised by myself. Contest page https://app.creads.fr/u/recherche-illustrateur-dessinateur/concours-japanexpo-chara-design-2017/creation/417135/show
I went to the kitchen to make some tea, still a lot left to do, the night seemed to be long. I looked up the window in front of me. The moon was orange.
I tried to catch my breath after all the running; I finally got to the bus stop. The wind was blowing vigorously, the rain clouds were approaching. It was a very typical spring morning.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
