I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.
Bear was most respected animal in Finnish mythology
It was born in the skies on the shoulders of the seven stars of the Great Bear
From there, the bear was let down to earth in a golden cradle with silver straps, into the forest
” Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul to waste ”
I have had an idea for a long time to illustrate Sympathy for the Devil from Rolling Stones.
This start from free sketching of cloud looking lines and soon i realise they look like atom bomb cloud. Original idea was more landscape version but maybe later.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
The 3x3 Illustration Annual I was recently chosen to be in, inspired this recent doodle. Fireworks went off in my head and then spilled out on this Moleskine page.
I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.
This was drawn with a Japanese fountain pen, Japanese ink, and painted with Japanese watercolor. To be specific - I used Holbein watercolor and Platinum Carbon Black in a Pilot Falcon. This trio is perfect for me.
