This started as a line drawing based on a photo of peonies in the garden. It’s drawn with three different pens: Micron 005, Micron 03 and Faber Castell Pitt superfine (0.3) on 11x14 Strathmore Bristol Vellum. The paper isn’t terribly tolerant of wet media, so I played around with tinting it in Photoshop because I wasn't sure how it would go. But I liked it in color enough to chance painting the drawing with the nice and bright Dr Ph Martin Hydrus watercolors. It's photographed it on my drafting table with my glasses for scale. The lamp has a daylight bulb, so I think the color (at least where the light is more prominent) is fairly true.
Experimenting today with an oil transfer drawing technique. The red and purple lines are oil drawn/transferred to hot press 140 pound watercolor paper with watercolor applied. The oil resists the watercolor.
This started as a pen line drawing (with Skura Pigma micron pen) which I then painted with Dr PH Martin's Hydrus watercolors. They are fun and very bright. This is on Strathmore 300 11x17 Bristol paper.
"With great frustration, the man threw his computer to the water robots." That's how I used to feel before discovering Rebelle by Escape Motions. It makes art fun!
In memory of the great John Lewis. (1940-2020)
Original ink and watercolor portrait painting on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.