I really liked the style that I used for one of the most recent labels I did for @abominationbrewingco and @snitzcreekbrewery so I decided to mess with it a bit more. Just a quick thing. I want to draw more animals in this style. This is for me, and my wife, and my daughter. Stay strong. This is for everyone. This is for you. Stay strong. No matter what you do on a day to day basis or what you go through. You are a strong person.
Graham's Up the Tree! ("and there's nowhere else he can go!") - my 4 year old ran around the house for weeks misquoting the story with his own interpretation of an Australian accent. Calling it out over, and over, and over again.
My husband has a chronic illness and frequently spends weeks in the hospital. I have been doodling each day while sitting with him and many of them reflect my thoughts at the time. Often appearing are desperation, hope, frustration, sarcasm, fear.
Sometimes wisdom comes in a joke,
and sometimes laughter carries truth.
Brian spoke like a sage,
Mike answered like a friend,
and together they held the room.
We draw to remember.
Not only the lines of faces,
but the presence of goodness,
the gift of voices that echo
long after the chairs are empty.
So much noise presses in—
screens, engines, endless chatter.
But silence is not gone;
it waits in a turned page,
in breath, in light,
in the hush between sounds.
This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
