drawing i did a few years ago,,,,love the hand of the angel,,,,,,the girl its covered whit a mantle in her legs,,i only used grafite ,,,,,,,hope you like!!
I just got started on Huevember today. I couldn't find the prompt list for this year, so I'm creating my own prompt list. This is my first year doing Huevember.
I finally drew Prince Fendren's ectoplasmic yet wicked companion,Snideacious.last time I drew him was last year and I didn't name him at all but he was still my OC.He is a low ranking phantom demon who's only purpose is to possess,kill and destroy.due to this,the rest of his kind has been wiped out entirely,making him the only possessor demon in hell,he travels throughout locations in hell.he was almost killed by many demons he tried to take control of.Fedren and him have a mutual relationship,Fedren had no desire to kill him considering snides weakness is magick he can be controlled but not mind controlled (no brain)Snide hates Fedren,often insulting him and even enjoying seeing him in pain when he is fighting a foe.Snide has possessed Fedren before,which was not only agonizing to Fedren but embarassing (being half naked inside the kingdom) since then he only posesses him for a good reason,they both go on adventures (although dangerous) in hell together,meeting new demons(usually evil) and discovering realms.(ignore my terrible handwriting)
Nov. DoodleSchmoodlez 9
Do a 1 / 2 min squiggle-scribble. Then simply fill it in any which way :) !!
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The box was meant to be a trap for the mouse! But kitty had other plans...>_< Check out the rest of my completed Inktober posts on my IG - @dittofunkysketch123
Soft Pastel. My studio is in a converted church with big GotHic windows. In the morning the sunlight streams in createing beautiful shapes on the studio furniture rolls of paper and general studio detritus.
Originally inspired by the occult fiction of the seventies, this began life as a cover concept for a commercial horror anthology. It later transitioned away and became a personal project, granting me more freedom with its content, and a return to one of my favourite themes – the offsetting of monstrosity with beauty.
