Michael B Jordan Drawing Sketch by Oz Galeano
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In fact, she [Mummy] said after a while, we have gone into hibernation. Nobody can get in any longer and no one can get out!
I looked carefully at her and understood that we were saved. At last we were absolutely safe and protected.
This menacing snow had hidden us inside in the warm for ever and we didn't have to worry a bit about what went on there outside. I was filled with enormous relief, and I shouted, I love you I LOVE YOU, and took all the cushions and threw them at her and laughed and shouted and Mummy threw them all back and in the end we were lying on the floor just laughing.
Then we began our underground life. We walked around in our nighties and did nothing. Mummy didn't draw. We were bears with pine needles in our stomachs and anyone who dared come near our winter lair was torn to pieces. We were lavish with the wood, and threw log after log on to the fire until it roared.
Sometimes we growled. We let the dangerous world outside look after itself, it had died, it had fallen out into space. Only Mummy and I were left.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
I have been listening to some great songs and getting lost in some writing and stories. I felt inspired to create this creature. I know I had made one originally a year ago.
https://youtu.be/GqDkZEv_ZQk?si=m6KwE1Gj0UZtEJR6
Here is one of the songs I obsessed with.
These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
A cow thinks he can jump over the moon, so he's leapt and employed wings to succeed. Moral of the story: Believe in yourself. If you believe you will succeed, the chances are very likely you will.
Model Portrait Art by Oz Galeano
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A doggy in a heart shaped hot air balloon, hold a valentine in it's mouth, with three arrows directed at the balloon, and the text "I'm Out to Get You."
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.